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Radilum

Arandela Chart Braço Curto

SKU: RDW-102213-01
Regular price
Dhs. 604.00
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Dhs. 604.00 Save Dhs. -604.00 (%)
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Latão Forjado · Vidro Leitoso · Arandela de Casa de Banho Transicional

Uma arandela de braço curto na linguagem da iluminação clássica de casas de banho e quartos de vestir americanos — uma placa de encosto com medalhão escalonado, um braço de latão torneado com detalhe em sino e uma cúpula de vidro leitoso fosco que emite luz difusa e suave. O corpo é forjado em latão em folha para substância e durabilidade, depois é revestido e acabado à mão.

A cúpula de vidro leitoso difunde a luz de forma uniforme sem encandeamento, ideal para espelhos de penteadeira e espaços de higiene pessoal. Disponível em cinco acabamentos — Latão Polido, Preto Mate, Cromado, Níquel Polido e Branco — e em configurações de uma, duas ou três luzes para penteadeiras de qualquer largura. Adequada para casas de banho de visitas, penteadeiras da casa de banho principal, pares em corredores e quartos de vestir em interiores tradicionais, transicionais e Regência de Hollywood.


Latão Forjado

Corpo de latão em folha forjado — mais pesado e durável do que alternativas giradas ou fundidas.

Cúpula de Vidro Leitoso

Vidro leitoso fosco que difunde a luz uniformemente — sem encandeamento para espelhos de penteadeira e higiene pessoal.

1, 2 ou 3 Luzes

Escolha a configuração que corresponde à largura da sua penteadeira — barra de um, dois ou três braços.



Latão Dourado Lacado

Ouro mel quente — penteadeiras transicionais e tradicionais clássicas americanas.


Preto Mate

Preto mate suave — casas de banho modernas e de alto contraste com mármore ou pedra.


Cromado Polido

Prata brilhante com espelho polido — fresco em casas de banho modernas e minimalistas.


Níquel Polido

Tom de prata mais quente do que o cromado — lisonjeador com mármore creme e madeira quente.


Branco

Branco acetinado limpo — desaparece em paredes pálidas para uma instalação mais discreta.

Latão forjado & revestimento acabado à mão. O corpo é forjado em latão em folha e acabado à mão — variação menor no tom do revestimento faz parte do carácter artesanal. Cada cúpula de vidro leitoso é moldada a sopro e pode apresentar diferenças subtis de forma e espessura de parede típicas do vidro moldado à mão.


D 15 × L 20,5 × A 26 cm

1 Luz · ∅ 5,9″ × L 8,1″ × A 10,2″

D 47 × L 20,5 × A 26 cm

3 Luzes · ∅ 18,5″ × L 8,1″ × A 10,2″

Materiais Corpo de latão em folha forjado · Cúpulas de vidro · Cúpula de alabastro
Acabamento Latão Polido · Preto Mate · Cromado · Níquel Polido · Branco · escolha na finalização da encomenda
Estilo Transicional americano · arandela de penteadeira/casa de banho · braço curto
Tamanho — 1 Cabeça D 15 × L 20,5 × A 26 cm · ∅ 5,9″ × L 8,1″ × A 10,2″
Tamanho — 2 Cabeças D 35,5 × L 20,5 × A 26 cm · ∅ 14″ × L 8,1″ × A 10,2″
Tamanho — 3 Cabeças D 47 × W 20,5 × H 26 cm · ∅ 18,5″ × W 8,1″ × H 10,2″
Base do Candeeiro Casquilho E14 por braço · lâmpadas não incluídas
Lâmpadas Recomendadas Lâmpada de vela LED branco quente 2700K–3000K, máximo 40W equivalente a incandescência cada
Temperatura de Cor Depende da lâmpada escolhida · recomenda-se luz branca quente para um brilho suave no vidro leitoso
Regulação Compatível com lâmpada regulável e regulador TRIAC instalados
Tensão AC 110–240V · universal
Montagem Embutida na caixa de derivação de parede · placa de acabamento com degraus cobre a maioria das caixas de parede de um pólo americanas
SKU RDW-102213
Prazo de Entrega Sob encomenda · consulte a estimativa no checkout
Ideal Para Bancadas de casas de banho e pó · Camarins · Pares em corredores · Acima de espelhos e armários de medicamentos · Interiores tradicionais e de transição

  • Fiação de parede até caixa de emenda padrão — recomenda-se instalação profissional.
  • Placa de acabamento com degraus cobre a maioria das caixas de parede de um pólo americanas; verifique antes de furar.
  • Para instalação em bancada de casa de banho, instale a 75–80″ acima do piso acabado (centrada acima do espelho) para a 1 lâmpada, ou centre a barra com 2/3 lâmpadas acima do ponto médio da bancada.
  • Compatível com lâmpadas de base E14 — forneça suas próprias lâmpadas LED vela branco-quente (uma por lâmpada).
  • Adequada para instalações gerais em casa de banho afastada de spray direto de chuveiro.
  • Limpe o vidro e metal com um pano macio seco; evite limpadores abrasivos em acabamentos revestidos.


Como escolho entre 1, 2 e 3 lâmpadas? +

Para uma bancada com menos de 24″ de largura, a 1 lâmpada (centrada acima do espelho) funciona melhor. Para bancadas de 24–48″, a 2 lâmpadas (∅ 14″ barra) — centrada acima da bacia. Para bancadas duplas de 48–72″, a 3 lâmpadas (∅ 18,5″ barra) — ou um par de cabeças únicas flanqueando cada espelho. Confirme a escala em relação ao seu layout de bancada.

O arandela Chart é regulável? +

Sim, com a lâmpada correta. Cada cabeça recebe uma lâmpada candelabro E14. Instale lâmpadas LED vela reguláveis num regulador de parede TRIAC e o arandela reduz-se suavemente. Recomenda-se luz branca quente 2700K–3000K para uma iluminação de asseio lisonjeira.

Posso usá-lo numa casa de banho acima de um chuveiro? +

O Chart é adequado para instalações gerais em casa de banho afastadas do spray direto do chuveiro — por exemplo acima de uma bancada, espelho ou numa casa de banho de pó. Evite colocá-lo diretamente acima de um chuveiro ou banheira onde o vapor e o spray de água fazem contacto sustentado. Para instalações em zona húmida, contacte-nos.

Que acabamento devo escolher? +

O latão polido combina bem com casas de banho tradicionais e de transição com tons creme ou madeira. Preto mate ancora casas de banho modernas com mármol e pedra. Chrome tem um tom fresco e moderno; níquel polido é mais quente do que chrome e combina bem com mármore creme. Branco desaparece em paredes pálidas para uma instalação mais discreta.

Por que latão forjado em queda em vez de fundido ou girado? +

A forjagem em queda comprime folha de latão sob alta pressão para produzir um corpo mais denso e resistente do que as alternativas fundidas ou giradas — melhor para reter o revestimento a longo prazo e menos propenso a amassados. O compromisso é maior peso e custo de produção mais elevado, razão pela qual o latão forjado em queda é o padrão para arandelas de casa de banho americanas de primeira qualidade.

  • Design de forma única
  • Fabricado com responsabilidade
  • Material de alta qualidade
  • Testado quanto à durabilidade

MANUTENÇÃO

  • Limpe com um pano macio e seco.
  • Para proteger o acabamento, não recomendamos o uso de limpadores domésticos ou abrasivos.
  • Não exceda a potência especificada.

POLÍTICA DE ENVIO E DEVOLUÇÃO

Aproveite o envio gratuito em todos os produtos. Com Entrega à Porta, o seu artigo é enviado do nosso Centro de Distribuição via UPS dentro de 2-3 dias úteis e chega à sua casa em 4-6 semanas. Os artigos elegíveis podem ser devolvidos no prazo de 30 dias após receção. Os artigos personalizados não são elegíveis para devolução.

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Radilum · Brass Atelier · American Lighting

The metal that holds
the light of years.

Brass is the alloy civilisations reach for when they want light to last. Door pulls polished by three generations. Naval instruments still readable a century after the ship was scrapped. Church candelabra that outlive the parish. Radilum's American Brass Collection is built on that same expectation — fixtures forged from H65 cartridge brass, finished by hand, sealed against time, and meant to be the lamp your grandchildren still recognise.

Radilum brass lighting collection in interior setting
Material
H65 Cartridge Brass
Hand Polishing
4–6 Stages
Finish Options
17 Numbered
Surface Sealant
UV-Stable
Warranty
5 Years
§ 01 · The Material

The alloy that refuses to age.

Brass is a copper-zinc alloy whose first known smelting dates to roughly 500 BCE in the eastern Mediterranean — Greek artisans alloying calamine ore with native copper to produce a metal that struck like gold but bent like a tool. By the Roman imperial period, brass was the material of coinage, military fittings, and the household lamps that lit late-republic Rome. Two and a half millennia later it remains, by an enormous margin, the most-used non-ferrous engineering alloy on the planet — and the lighting industry's quiet workhorse.

What makes brass uniquely fit for lighting is a coincidence of properties no single-element metal achieves. Copper gives it warm chromatic depth and the specific red-yellow that reads as luxurious rather than industrial. Zinc hardens the alloy enough to hold sharp turned profiles, threaded fittings, and cast detail without the softness of pure copper or the dullness of grey castings. The blend produces a metal that is workable when you need it to be — and rigid for the next century.

Why H65, Specifically

Of the dozen brass grades available to manufacturers, Radilum specifies H65 cartridge brass — 65% copper, 35% zinc. The name comes from its original use: military shell casings, where the metal had to absorb the shock of firing without splitting. That same toughness, applied to a lamp arm, means the part stays dimensionally stable under decades of thermal cycling, hardware tightening, and bulb replacement. Lower-copper alloys (H62, H59) are cheaper but more brittle. We do not use them.

The Radilum brass collection is built on a simple recognition that the wider lighting industry has spent the last two decades forgetting: that the cost difference between a true brass fixture and a brass-plated zinc one is measurable in years of service, not dollars at checkout.

§ 02 · Why Brass for Light

Four properties that change everything
about how a lamp ages.

Most fixture materials are chosen for what the lamp looks like in the showroom photograph. Brass is one of the very few materials that earns its place over the next thirty years. The differences come down to four physical and aesthetic properties.

01 Mass that reads as quality

Solid H65 brass has a density of 8.5 g/cm³ — denser than steel, denser than cast iron, more than three times the weight of zinc-die-cast. A brass sconce of comparable size to a brass-plated zinc one will weigh nearly four times as much. You feel the difference the moment you lift the box. It's not marketing — it's chemistry.

02 Living finish, not a coating

Brass-plated finishes are paint that happens to be metallic. They scratch, chip, and reveal cheaper alloy underneath. Solid brass is the finish — what you see is the metal itself, polished or patinated. A scratch on plated brass is a flaw; a scratch on solid brass is a wear mark that polishes back out. This is why brass instruments survive a century of touring while plated hardware ages out of fashion in five years.

03 Naturally antimicrobial

Copper alloys are oligodynamic — meaning their surface ions disrupt microbial cell membranes on contact. The EPA registers solid brass and bronze as antimicrobial surfaces. A brass switch plate, lamp pull, or door fitting is meaningfully cleaner than the stainless steel equivalent. For high-touch fixtures (bedside lamps, hallway sconces) this matters more than the brochures usually mention.

04 A spectrum the eye reads as warm

Brass reflects light selectively across the visible spectrum — absorbing slightly more blue and green, reflecting more red and yellow. The result is that any light source mounted in or near a brass fixture acquires a faint warm wash. We design the LED specification with this shift in mind: a 2700K bulb behind brass reads as roughly 2550K to the eye, the colour of late-afternoon window light.

Density
8.5 g/cm³
denser than steel
Hardness
Brinell 110
workable yet rigid
Service Life
100+ Years
documented in fittings
Recyclability
100%
infinite, no downcycle
§ 03 · The Brass Library

Six finishes. Six different conversations
between metal and room.

A single block of H65 can be finished in a dozen ways — and the finish, more than any other variable, decides the personality of the fixture. The atelier maintains six standard characters and adds custom patinas on request. Physical samples are sent before final order on every project of three fixtures or more.

Polished Mirror
Polished Brass
High-Luster · Reflective
The traditional choice — a mirror finish achieved through five grits of progressive polishing. Reflects the room around it. Best in formal interiors with strong architectural detail. Sealed against tarnish for 25+ years.
  • Reflectivity~85%
  • SealantIncralac
  • Best forFormal rooms
Atelier Signature
Brushed Antique
House Favourite · Hand-Brushed
A directional satin grain followed by a controlled patina bath — gives the fixture a "lived-in" warmth from the day it arrives. Hides minor wear over decades. The Radilum house finish on most American-style pieces.
  • Reflectivity~35%
  • TextureLinear satin
  • Best forMost projects
Oxidised Patina
Antique Bronze
Deep Oxidation · Variegated
A controlled accelerated oxidation produces deep amber-to-near-black tones, often with subtle copper-red highlights at the high points. Reads as a 50-year-old fixture from day one. Pairs with walnut, oxidised oak, and unbleached linen.
  • ToneAmber to black
  • VariationEach unique
  • Best forVintage interiors
Blackened
Blackened Brass
Sulphurised · Matte
A sulphur-based blackening leaves a deep, slightly textured matte black with brass undertones glinting through at edges and high points. Reads architectural rather than industrial. Common in modern luxe and editorial spaces.
  • Reflectivity~5%
  • EdgesBrass glint
  • Best forModern luxe
Unlacquered
Raw Living Brass
No Sealant · Patinas in Use
Solid brass with no protective topcoat — the metal develops its own patina from skin oils, humidity, and time. Two identical fixtures will read differently after one year. Specified by clients who want the lamp to record its own history.
  • SealantNone
  • PatinaContinuous
  • Best forHeritage homes
Nickel-Plated
Satin Nickel
Plated · Cool-Tone
For projects whose palette is cooler than warm brass allows — a brass body electroplated with satin nickel reads as silver-grey but retains the mass and structural integrity of the underlying brass casting. The best of both worlds.
  • PlatingSatin nickel
  • BodySolid H65
  • Best forCool palettes

The seventeen you can actually order

The six characters above describe how a finish behaves. What you specify is one of seventeen numbered finishes — or a custom patina grown to match a sample you send us.

Finish 01 Bronze01Finish 02 Black02Finish 03 Antiqued Brass03Finish 04 Natural Brass04Finish 05 Vintage Brass05Finish 06 Aged Steel06Finish 07 Rustic Iron07Finish 08 Gilded Iron08Finish 09 Satin Nickel09Finish 10 Polished Chrome10Finish 11 Polished Nickel11Finish 12 Forged Iron12Finish 13 Rust13Finish 14 Lacquered Burnished Brass14Finish 15 Weathered Brass15Finish 16 Brass16Finish 17 Antique Bronze17

Finishes 01–17 · brass, bronze, iron, steel, nickel, chrome, black · custom patinas matched on request

Specifying a finish

Order by number, not by name. "Antique brass," "aged brass," "burnished brass" — ask five workshops what those mean and five different metals come back. Finish 04 is the same physical sample in our studio, on the atelier bench, and on your packing list.

And because no screen renders metal honestly, we ship the physical panels before anything is committed. Hold them against your cabinetry and wall paint, at the hour you actually use the room — then send the number.

§ 04 · The Coloring Craft

Color that is grown, not painted on.

A brass finish is not a coat of paint — it is a controlled chemical reaction on the surface of the metal itself. Where a sprayed lacquer sits on top and eventually chips, a true patina is the brass reacting with sulphur, ammonia, or acid salts until its surface ions shift colour. The tone you see is the metal, transformed. That is why a patinated Radilum fixture deepens with age instead of peeling — and why every piece is coloured by hand, one at a time.

01
Strip
Degrease
Old lacquer, oils, and handling residue are stripped away so the bare brass is chemically open and ready to react evenly.
02
Prep
Activate
The surface is brought to a uniform polish or grain — any unevenness here would read as a blotch in the finished colour.
03
React
Patina Bath
Sulphur, ammonia, or acid solutions are applied hot or cold; time and temperature set everything from warm amber to near-black.
04
Arrest
Neutralise
The reaction is rinsed and neutralised the instant the target tone appears — a few seconds decide its final depth.
05
Reveal
Hand Highlight
High points are gently rubbed back to expose bright brass beneath, giving the piece its lived-in, dimensional depth.
06
Lock
Seal
A conservation-grade Incralac seal locks the colour for decades — or, for living-patina orders, it is left bare to keep evolving.
Atelier · The Patination Bench
§ 05 · The Commission

Seven stages, ten to twelve weeks,
and nothing exists before you choose.

A Radilum fixture is not pulled from a shelf. It is tooled, cast, polished, patinated and sealed after you order it — which is why the finish can be anything you want, and why the whole thing takes twelve weeks rather than two days.

One project specialist carries the commission from brief to install. There is no handover between sales, design, production and freight; the person who answers your first email is the one who sends you the polishing photographs.

01
Week 1
Choose the finish
Physical swatches shipped. Seventeen standard, or custom to your sample.
02
Week 2–3
Confirm by number
Free render in your room dimensions. You reply with one line: the finish number.
03
Week 3–4
Tooling
Steel mould cut in-house from the signed drawing. Held to ±0.1 mm.
04
Week 4–6
Casting
H65 brass poured at 1080 °C, then stress-relief annealed.
05
Week 6–9
Polish & patina
One technician, every grit, then the bath. Their mark is etched on.
06
Week 9–10
Sealing
Three coats of Incralac — or none at all, if you chose a living finish.
07
Week 10–12
Crated & delivered
Named courier, customs cleared our side, five-year structural warranty.
✦ ✦ ✦

The four stages you will see photographed

Stages three through six happen in the atelier, and each one arrives in your inbox as a timestamped photograph. Not because pictures sell anything — twelve weeks is a long time to trust a workshop on the other side of the world, and a photograph is the only thing that proves what we described actually happened. They come whether or not you ask.

Design and CNC tooling
03
Week 3–4 · Tooling

Steel cut from your drawing

The signed-off render becomes a parametric model, then a five-axis tool path, then a steel mould cut in our own shop. Nothing is outsourced here — a tolerance lost at this stage cannot be recovered later.

H65 brass casting
04
Week 4–6 · Casting

H65 — the shell-casing alloy

65% copper, 35% zinc: the brass first specified for military cartridges because it absorbs shock without splitting. Every cast piece is annealed so it will not crack a decade from now.

Hand polishing and patination
05
Week 6–9 · Polish & Patina

Colour is grown, not sprayed

One technician carries your fixture through every grit, then the patina bath. The reaction is arrested within seconds of reaching tone, and high points are rubbed back by hand. Their mark is etched on the fitting plate.

Sealing and lacquer
06
Week 9–10 · Sealing

Multi-layer sealant, tested for 25 years

Three coats of imported Incralac — the conservation lacquer museums use on bronze sculpture. Accelerated-aging tests project 25+ years tarnish-free — or we skip this stage entirely, by request.

"Plated brass is a finish. Solid brass is a relationship — between the metal, the room, and the years that pass through both."
— Radilum Atelier · Senior Brass Technician
Start at stage one

The swatch is the cheapest step in the entire commission and the only one that prevents a remake — the finish is the single variable that cannot be corrected once the fixture is built.

§ 06 · Fixture Categories

Five archetypes — the working portfolio.

Most projects begin from one of five standard categories. Every category scales from intimate residential to full-room hospitality; every category accepts any of the seventeen finishes; every category ships UL-listed for North America (CE/SAA available on request).

§ 07 · American Design Heritage

Three principles drawn from two centuries
of American interior design.

The Radilum American Brass Collection is shaped by three lineages — Federal-era neoclassical proportion, the early-20th-century Arts & Crafts movement, and the mid-century industrial vernacular. The result is a portfolio that reads as American not because it is decorated with eagles and stars, but because it carries the same restraint and structural honesty that those three traditions share.

Simple and grand proportion

Restraint & Proportion

From Federal-era cabinetry: symmetry, balance, restraint. Arms stepped at golden-ratio intervals. Canopies sized to match the column they descend from. Nothing is decorative for decoration's sake. The grandeur is in the proportion, not the ornament.

Elegant lines

Structural Honesty

From the Arts & Crafts vocabulary: function expressed, never disguised. Joinery shows. Fasteners are visible and intentional. The arm of a sconce is shaped because it must support a bulb — and that shape is the design. Nothing pretends to be what it isn't.

Classic shade shapes

Classic Shades

From mid-century industrial: opal milk glass, fluted glass, woven linen, perforated metal mesh. Each shade has a hundred-year vocabulary behind it. We pair the shade to the fixture's intended room — not the photographer's preference for what reads on social media.

✦ ✦ ✦
Radilum · Brass Atelier

Begin with a brief, or a finish sample.

Whether you need a single bedside sconce or a hundred matched fixtures for a hospitality build-out, the first step is the same — write to us. The project specialist who reads your email is the one you'll work with from brief to install. Every email gets a real reply within 24 hours.

  • Envio Rápido

    Envio Rápido

    4-6 semanas para entrega

  • Certificação da América do Norte

    Certificação da América do Norte

    Descrição Geral da Certificação da América do Norte

  • Pagamento Seguro

    Pagamento Seguro

    Pagamento seguro com múltiplos cartões de crédito.

Measuring for Pendant Lighting

When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.

Kitchen

Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.

Dining Room

For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.

Bedroom

If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.

Tabela de tamanhos

Tamanho
Área XS
Divisão XS
Tamanho DIÂM. 2"-6" DIÂM. 6"-12" DIÂM. 12"-18" DIÂM. 20"-24" DIÂM. 24"-32" DIÂM. 32"-40"
Área 32-54 PÉS2 54-107 PÉS2 107-161 PÉS2 161-215 PÉS2 215-269 PÉS2 269-378 PÉS2
Divisão CASAS DE BANHO/CORREDOR SALA DE JANTAR COZINHA QUARTO SALA DE ESTAR INTERIORES COMERCIAIS

* Os tamanhos são americanos e expressos em polegadas.

  • 5 stars: 42 (81%)
  • 4 stars: 10 (19%)
  • 3 stars: 0 (0%)
  • 2 stars: 0 (0%)
  • 1 star: 0 (0%)
A
Audrey Jimenez
Perfect for our bathroom

Looks so much better than the old one.

C
Carter Sanchez
Love it!

Easy install, looks expensive.

B
Betty Moore
Perfect for our vanity

Love these. Light is soft and warm.

B
Brooklyn Long
Perfect!

Love these in our powder room.

R
Ryan Patel
Beautiful

Looks expensive.

J
Joshua Gomez
Nice but dimmer

Looks good in our powder room. Wish the light was a bit brighter though.

O
Olivia Foster
So pretty!

Looks beautiful in our powder room.

R
Roman Thomas
Gorgeous sconce

So happy with this.

L
Lisa Williams
Classic look

It's gorgeous. Husband installed in like 30 min. The frosted glass gives off nice soft light for the mirror.

C
Connor Wilson
Beautiful

Got this in chrome for our powder room and honestly obsessed. The frosted glass is perfect, no harsh glare when you're doing makeup. Hubby installed it in like 15 minutes.

E
Elias Hill
Pretty light

Got the chrome finish and honestly it's beautiful.

J
James Hall
Nice but dimmer

Looks great and install was easy. Light output is softer than i expected but works fine for our hallway.

E
Eric Hall
Nice but pricey

Looks great but tbh kinda expensive for what it is.

B
Brooklyn Ortiz
Pretty but dim

Got this for our powder room and it's super cute but wished the light was a bit brighter.

T
Tyler Dawson

This fixture has the perfect balance of style and function. It doesnt overpower the room but still makes a statement.

L
Lauren Mitchell

I was impressed by how easy it was to install. Within minutes, I had a beautiful light fixture on my wall. The warm glow makes my space feel so much more inviting.

C
Connor Bryant

Absolutely love this wall lamp! The soft light it provides makes the room so cozy in the evenings. The quality feels amazing for the price I paid.

M
Maren Selwyn

We chose this wall lamp for our living room, and it looks amazing. The design is versatile and complements various decor styles. Our guests have complimented it multiple times.

V
Vanessa Harper

These wall lamps were the finishing touch our living room needed. The design is versatile enough to work with both modern and traditional dcor. They look like designer fixtures without the hefty price tag.

T
Tobias Grantham

This wall lamp adds a touch of elegance to our living room. The light it emits creates a warm and inviting ambiance that's perfect for entertaining guests.

D
Dylan Matthews

I needed something simple but stylish for my bathroom, and this was perfect. It doesnt take up much space but makes a big design impact. Couldnt be happier with the result.

J
Julia Townsend

We are so happy with this purchase. The fixture is sturdy, stylish, and the glow is warm and inviting. It made our hallway look brand new.

Z
Zachary Pierce

I added this light to our bedroom and it was exactly what the space needed. Its subtle, elegant, and practical. Our guests always comment on how nice it looks.

F
Freya Lindstrom

I'm impressed with the craftsmanship of this sconce. The finish is flawless, and the design is sleek and modern. It's a great value for the price.

B
Brooke Anderson

This wall lamp looks even better in person than it does online. The finish is gorgeous, and it feels like something out of a high-end design magazine. It instantly upgraded the space.

A
Anders Corley

This wall lamp is both functional and decorative. It's the perfect size for our bedroom, providing ample light without being obtrusive.

H
Hunter Cole

Perfect wall fixture for my bedroom. It gives a professional yet warm look, and the lighting is just right for working late evenings. I couldnt be happier with this purchase!

J
Jolie Harbin

We added this sconce to our bedroom, and it instantly elevated the space. The brass finish catches the light beautifully, creating a welcoming atmosphere.

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Madeline Foster

I wasnt sure if this would fit with my existing dcor, but it blends so seamlessly. The craftsmanship is solid, and the design feels timeless. It really adds a touch of sophistication to the room.

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Mason Bradford

Such a great addition to our living room. The design is classic with a modern touch, and it balances the space perfectly. Everyone who sees it asks where I bought it.

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Olivia Montgomery

I bought a pair of these sconces for either side of my bed, and they are amazing. The quality feels excellent and the price was reasonable.

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Cyrus Penley

This wall lamp exceeded my expectations. The design is timeless, and the materials used are top-notch. It's a beautiful addition to our livingroom.

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Carter Jennings

This wall lamp exceeded my expectations. Its both functional and decorative, giving our hallway such a refined look. Easy to install and feels like it will last for years.

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bdrena

What are the dimensions of the backplate on the chart short arm sconce?

Radilum

The backplate for this specific fixture is designed to fit a junction box size of 12 cm