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Radilum

Rosalie Floral Pendant Lamp

SKU: RDC-175016
Prix habituel
$189.00
Prix habituel
$369.00
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Floral Pendant · Antique Brass · Pink Porcelain Roses · Pink Frosted Glass · E12 / E14

A slender antique brass stem descends from the canopy with hand-applied porcelain rose blooms arranged along its length — each ceramic flower individually formed, petals layered and curved outward in the manner of a fully open garden rose. At the base of the stem, a frosted pink glass shade is itself sculpted into a rose form: the petals of the glass shade echo the porcelain roses above, the entire fixture reading as a single botanical composition from canopy to shade tip.

At ∅ 14 cm and H 35 cm, the Rosalie is a compact pendant suited to intimate positions — a bedside, a dressing table, a small dining nook, or anywhere a single decorative light is the focal point of a surface. The frosted pink glass produces a soft, warm-pink-tinted glow below the shade — the color of the glass tints the light output, adding a warm blush to the space directly beneath. The 50 cm hanging chain is adjustable at installation.

Stem Antique Brass Slender aged brass stem — warm, complex tone that reads as period-authentic alongside the porcelain and pink glass.
Decoration Pink Porcelain Roses Hand-applied ceramic roses along the stem — layered petals, fired and glazed in soft pink.
Shade Pink Frosted Glass Rose-form frosted glass shade — sculpted petals diffuse light into a warm blush glow.
Diameter 14 cm ∅ 5.5″
Height 35 cm 13.8″
Hanging Chain 50 cm 19.7″ · adjustable

Bulbs are not included. This pendant uses one E12 (US) or E14 (international) candelabra socket. A 2–4W LED E12/E14 candelabra bulb at 2700K warm white with a frosted glass casing is recommended — the warm white tone produces the richest pink-tinted glow through the frosted glass shade. Avoid cool-white bulbs (4000K+) which produce a flat, clinical light through the pink glass. A small globe E12/E14 LED also works; avoid flame-tip shapes which may extend beyond the shade opening.

SKU RDC-175016
Dimensions ∅ 14 × H 35 cm · ∅ 5.5″ × H 13.8″
Hanging Chain 50 cm / 19.7″ · Adjustable at installation
Hanging Wire 150 cm / 59″
Body Finish Antique Brass (fixed)
Decoration Pink porcelain roses · Ceramic · Hand-applied
Shade Pink frosted glass · Rose petal form
Materials Brass lamp body · Ceramic flower decoration · Glass lampshade
Socket E12 / E14 candelabra · Bulbs not included · User-replaceable
Voltage AC 110–240V · Universal
Mounting Hardwired ceiling canopy · Standard junction box
Best For Bedrooms · Dressing rooms · Dining nooks · Children’s rooms · Romantic and maximalist interiors
What colour is the light output? +

The frosted pink glass shade tints the light that passes through it — the bulb's warm white output is filtered through the pink glass and emerges as a soft, warm blush glow on the surface directly below. The effect is most noticeable in dim settings: as ambient light decreases, the pink tint from the shade becomes more apparent. At full brightness in a well-lit room, the shade reads as a warm cream-pink glow; dimmed in a dark room, the pink quality is more pronounced and atmospheric.

What surfaces and spaces suit the Rosalie? +

At ∅ 14 cm this is a compact pendant — well suited to small dining nooks (over a small round table), bedside positions, dressing tables, and any location where a single intimate light fixture is the focal point. It is not suited to large dining rooms or living rooms as a primary light source — the output and footprint are designed for close-range, intimate use. The 50 cm chain allows a maximum total drop of approximately 85 cm from the ceiling canopy to the bottom of the shade, which works comfortably over a bedside table or small surface.

Are the porcelain roses fragile? +

The ceramic rose decorations are kiln-fired and durable under normal handling, but ceramic is susceptible to chipping or breaking if struck directly against a hard surface. Handle the fixture with care during installation — avoid knocking the roses against walls or hard edges. Once installed and stationary, the ceramic elements will not be subject to daily mechanical stress. Dusting with a soft dry cloth is recommended; avoid water or chemical cleaners directly on the ceramic glazing.

Is it dimmable? +

Yes, when fitted with a dimmable E12/E14 LED bulb and a compatible TRIAC wall dimmer switch (both sold separately). Specify “dimmable” when purchasing the LED bulb and confirm your dimmer is rated for LED loads. For the Rosalie specifically, dimming to 20–40% produces the most atmospheric pink glow — the lower brightness allows the pink frosted glass to colour the output more visibly, creating a warm blush in the space below that is distinctive to this fixture at low light levels.

  • Unique shape design
  • Made responsibly
  • High quality material
  • Tested for durability

CARE

  • Dust with a soft, dry cloth.
  • To protect finish, we do not recommend the use of household cleaners or abrasives.
  • Do not exceed specified wattage.

SHIPPING & RETURN POLICY

Enjoy free shipping on all products. With Front Door Delivery, your item ships from our Distribution Center via UPS within 2–3 business days and arrives at your home in 4–6 weeks. Eligible items may be returned within 30 days of receipt. Made-to-order items are not eligible for return.

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Radilum · Céramique
Collection · Porcelaine en Fleur · Hand-Sculpted
— for the corner of the world you keep soft —

Meet the romancethat never wilts.

Fresh flowers last a week. These were shaped by hand and fired in flame to bloom above your table for decades — a bouquet of porcelain and aged brass that opens, every evening, the moment you reach for the switch.

Ceramic Rose Vine Chandelier glowing over a dusk-lit dining table

In a hurried world, keep one corner where time is allowed to slow.

1200°Ckiln-fired
True Porcelain, Tempered in Flame
By Handevery petal
Sculpted, Never Molded Alike
Agedbrass
Elegance That Time Deepens
§ 01 · The Artisan Story

A poem written in clay and flame.

Three materials, three temperaments — soft earth, patient fire, and metal that grows lovelier with age. Together they make a flower that time cannot touch.

Hand-sculpted porcelain petal close-up
The Bloom
« la porcelaine »
Hand-Sculpted Porcelain.
Each petal begins as a pinch of soft clay, curled and thinned between an artisan's fingers until its edge turns nearly translucent. No two petals repeat — because no two touches do.
Aged brass stem and leaf detail
The Stem
« le laiton »
Brass, Softened by Time.
The stems and leaves are brass, hand-burnished to an antique patina — the quiet glow of a family heirloom rather than the glare of something new. Elegance that deepens as the years pass.
Faceted crystal drop catching warm lamplight
The Dew
« le cristal »
Crystal, Like Morning Dew.
Faceted crystal drops hang among the blooms like dew that never dries. By day a quiet sparkle; by night they scatter the lamplight into tiny drifting rainbows.
§ 02 · The Making

From soft earth to eternal bloom, in five patient steps.

Most lamps are assembled in minutes. Ours pass through human hands and a wall of fire — this is the whole journey, nothing skipped.

Wedging soft porcelain clay by hand
i
Étape I « la terre »

Waking the clay

Fine porcelain clay is wedged and kneaded by hand until every air bubble is pressed out — the warmth of the maker's palms is, quite literally, worked into the material.
Fingertips sculpting a porcelain petal
ii
Étape II « les pétales »

Sculpting the petals

The heart of it. Petal by petal, an artisan pinches, curls, and feathers the clay — a single blossom can take dozens of individual petals, each one shaped, judged, and set by eye alone.
Porcelain blooms fired in the glowing kiln
iii
Étape III « le feu »

The trial of fire

The blooms enter the kiln and are fired at 1200°C — hot enough to turn soft earth into true porcelain. What survives the fire will not warp, fade, or wilt; it is, in the oldest sense, finished.
Hand-glazing the blush on fired petals
iv
Étape IV « le fard »

The blush

Each fired bloom is glazed and tinted by brush — a wash of cream, a blush at the petal's tip — the delicate gradients that make the flowers look freshly picked rather than manufactured.
Assembling blooms onto aged brass branches
v
Étape V « le bouquet »

Gathering the bouquet

Blooms, leaves, and crystal drops are arranged onto the aged-brass branches one by one — composed like a florist's arrangement, then wired, tested, and checked before the journey to you.
— et enfin, la couleur —

One bloom, three blushes.

Every design in the collection is hand-tinted in one of three glazes — the brush decides the mood, you decide the room.

Porcelain white glaze sample
« Blanc »
Porcelain White
The classic — pure, quietly luminous, at home in any palette.
Blush pink glaze sample
« Rose »
Blush Pink
The signature — a soft rose blush that turns golden at dusk.
Rose red glaze sample
« Rouge »
Rose Red
The statement — a deep romantic red, for rooms with a heartbeat.

Choose your colour on each product page — the shape stays, the blush is yours.

— et la tige, en laiton —

The seventeen you can actually order.

The bloom is glazed by brush; the branch beneath it is finished the same careful way — seventeen numbered metal finishes, from bright brass to blackened iron, so the stem matches the room the flowers will live in.

Finishes 01–17 · brass, bronze, iron, steel, nickel, chrome, black · the collection's signature « Laiton Vieilli » (03, Antiqued Brass) shown throughout this page

Specifying a Finish

Order by number, not by name. "Antique brass," "aged brass," "burnished brass" — ask five workshops what those mean and five different metals come back. Finish 03 is the same physical sample on the atelier bench and on your packing list.

And because no screen renders metal honestly, we ship the physical swatch before anything is committed. Hold it beside the porcelain glaze you've chosen, at the hour you actually use the room — then send the number.

Choose your stem finish on each product page — the bloom stays yours, the metal is now, too.

§ 03 · By Day
lights off —

A sculpture that happens to be a lamp.

Switched off, it earns its place on looks alone — a still-life relief of porcelain blooms and brass leaves that sits as calmly against floral wallpaper as against plain plaster. Guests will assume it's art first, and they won't be wrong.

Rosalie floral chandelier unlit in soft daylight

Daytime: a quiet porcelain still-life

Meet « Rosalie » — the chandelier in these photos →
§ 03 · By Night
lights on —

The room becomes an enchanted garden.

Then evening comes. Light pours through the frosted petals and catches every crystal drop, and the whole bouquet begins to glow from within — walls washed in warm bloom-shadows, the room suddenly somewhere out of a storybook.

Rosalie floral chandelier glowing at night

Nighttime: the fairy-tale forest, on demand

Meet « Rosalie » — the chandelier in these photos →
§ 04 · The Collection

One evening, three rooms in bloom.

Follow the light through the house — dinner beneath the chandelier, roses down the hallway, and a last bloom glowing at your pillow. Open each window and step inside.

§ 05 · The Promise

A gift worth handing down.

Porcelain deserves to be treated like porcelain — from our workbench to your doorstep, here is how we keep that promise.

i
Inspected out of the kiln
Every bloom is examined against the light after firing — petals, glaze, and fit — before it is allowed onto a branch.
ii
Wrapped petal by petal
Custom-molded foam, blooms individually cushioned, double-boxed — packed the way museums move ceramics.
iii
Cared for after arrival
If anything arrives less than perfect, photograph it and write to us — our support team will make it right.
An Honest Note
« une lettre de l'atelier »

No two of our petals curl quite the same way — each was shaped by fingertips, not a mold. The blush of the glaze shifts a little from bloom to bloom, because the brush loads a little differently every time.

None of these is a flaw. They are the signature of the hands that made yours — the one thing a factory line can never copy.

the atelier
Rosalie floral pendant — porcelain blooms and crystal drops
« cueillez votre jardin de lumière »

Some flowers are given.
This one is kept.

A porcelain bouquet says what cut flowers say — and then keeps saying it, year after year.

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Measuring for Pendant Lighting

When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.

Kitchen

Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.

Dining Room

For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.

Bedroom

If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.