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Radilum

Zaira Grand Chandelier

SKU: RDC-150906
Prix habituel
$14,355.00
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Empire-Style · 55 Lights · Crystal & Brass · Estate Chandelier

A grand 55-light chandelier in the language of 19th-century French Empire and Napoleon III court lighting — a three-tier composition of cast brass scrollwork, hand-strung Bohemian-style crystal swags, and three rings of candle-arm lights stepping from a 25-arm lower tier to a 10-arm middle tier and a 20-arm upper crown. The basket-weave crystal beading at the lower body recalls the great chandeliers of Versailles and the Paris Opera. Cast acanthus, rosettes, and finial detail crown the canopy.

Built for estate-scale interiors: grand foyers, ballrooms, double-height great rooms, formal dining rooms in private residences over 5,000 sq ft, luxury hotel lobbies, and historic-restoration projects. At ∅ 62.2″ × H 82.7″ (158 × 210 cm) and 55 individual lights, this is a specification-grade fixture — the cast brass armature, hand-strung crystals, and 18th-century court-lighting silhouette are all assembled by hand. Suited to Beaux-Arts, Neoclassical, French Empire, traditional, and palatial-eclectic interiors.


Cast Brass Armature

Each tier of arms cast in solid brass, hand-aged for warm patina depth across the entire structure.

Hand-Strung Crystals

Bohemian-style crystal swags and basket-weave beading strung by hand — every drop placed individually.

Three-Tier 55 Lights

20-arm upper crown · 10-arm middle ring · 25-arm lower tier — built for ballroom and great-room scale.


Hand-aged cast brass & hand-strung crystal. Each piece is cast, finished, and assembled by hand — subtle variation in brass tone, crystal hand-stringing, and finial detail between pieces is part of the artisanal character. The crystals are individually strung onto the brass armature; allow 30–60 minutes after unpacking to gently shape any chains that compressed in transit.

Estate-scale fixture — reinforced ceiling support required. The 55-light Zaira is approximately 110 kg / 242 lbs assembled, far exceeding the rated load of standard residential ceiling junction boxes. Your electrician and structural engineer must confirm joist support and install a heavy-duty fixture brace before installation.


∅ 158 × H 210 cm

55 Heads · ∅ 62.2″ × H 82.7″ · approximately 110 kg / 242 lbs · 19.7″ hanging chain

Materials Cast brass body, arms & finials · Hand-strung Bohemian-style crystal swags & basket-weave beading
Finish Hand-aged polished brass · clear crystal
Style French Empire · Napoleon III · Beaux-Arts · 19th-century court chandelier
Configuration 3-tier · 20-arm upper crown + 10-arm middle ring + 25-arm lower tier · 55 lights total
Dimensions ∅ 158 × H 210 cm · ∅ 62.2″ × H 82.7″
Weight Approximately 110 kg / 242 lbs assembled · structural ceiling support required
Bulb Base E12 (US) or E14 (EU) candelabra socket per arm · 55 bulbs · not included
Bulbs Recommended Warm white 2700K–3000K LED candle bulbs, max 25W incandescent equivalent each (lower wattage prevents long-term heat impact on crystals)
Color Temperature Depends on bulbs chosen · warm white recommended to bring out the cast brass and crystal play
Dimming Compatible if dimmable bulbs and a TRIAC dimmer are installed (recommended for ambient evening use)
Voltage AC 110–240V · universal · also available in custom voltages for international and historic-restoration projects
Mounting Hardwired pendant · 19.7″ (50 cm) hanging chain supplied, adjustable on-site · heavy-duty ceiling brace + structural joist support required
Recommended Ceiling Height Minimum 12 ft (3.6 m) for proper proportion · best at 15–25 ft (4.5–7.5 m) double-height great rooms and ballroom ceilings
SKU RDC-150906
Lead Time Made-to-order · estate-grade fixtures typically require extended production · contact us for current timeline
Trade & Project Designer specification packets, trade pricing, and project-quantity coordination available · please contact for project-specific quotes
Best For Grand foyers · Ballrooms · Double-height great rooms · Formal dining rooms in 5,000+ sq ft estates · Luxury hotel lobbies · Historic-restoration projects · Beaux-Arts, Neoclassical, French Empire & palatial-eclectic interiors

  • Specialist installation strongly recommended. At ~110 kg / 242 lbs and ∅ 62.2″, this fixture should not be installed by general handymen — engage a chandelier installer or a licensed electrician with experience in estate-grade fixtures.
  • Structural ceiling support is required. A heavy-duty fixture brace must be anchored to ceiling joists; standard residential junction boxes are not rated for this weight. Consult a structural engineer if joist spans are unclear.
  • Hanging chain supplied at 50 cm (19.7″); chain length can be adjusted on-site for ceiling height. Custom chain extensions available for 20+ ft ceilings.
  • Crystals are individually packed and strung onto the brass armature on-site. Allow 4–8 hours of skilled assembly time depending on installer experience.
  • Fits 55 E12 (US) or E14 (EU) candelabra-base bulbs — supply your own warm-white LED candle bulbs. We recommend 25W incandescent equivalent each (1.5–3W actual LED draw) to manage total fixture wattage and crystal heat exposure.
  • Verify ceiling clearance: minimum 12 ft (3.6 m) for proper proportion, ideally 15–25 ft for full visual impact.
  • Indoor only · clean crystal pendants periodically with a soft dry microfiber cloth or specialist crystal-cleaning gloves; avoid liquid sprays which leave residue on cast brass.


What size space is the Zaira designed for? +

This is an estate-scale fixture. At ∅ 62.2″ × H 82.7″ (158 × 210 cm), it's built for grand foyers and great rooms of 40+ m² (430+ sq ft), formal dining rooms in 5,000+ sq ft residences, ballrooms, hotel lobbies, and historic-restoration projects. It needs minimum 12 ft (3.6 m) ceilings to read in proportion, ideally 15–25 ft (4.5–7.5 m) for full visual impact.

Do you offer trade pricing for designers and project quantities? +

Yes. We work with interior designers, architects, hospitality groups, and estate-construction firms on specification packets, trade pricing, and project-quantity coordination. For custom finishes, voltage requirements (e.g. UK BS 110V variants for historic restorations), or matched chandelier-and-sconce sets across a project, please contact us with your specification before ordering.

How is the chandelier shipped? +

The fixture ships in multiple custom-built crates with crystals individually packed for transit. Because of the size and weight (~110 kg / 242 lbs), freight delivery is required — please confirm your delivery address has appropriate access (truck approach, ceiling clearance for crates, etc.) before ordering. On-site assembly typically requires a skilled chandelier installer 4–8 hours. We can provide installation guidance documentation, but on-site installation is arranged by you.

Why does it weigh 242 lbs? +

The Zaira is built from solid cast brass — every arm, finial, rosette, and structural element is cast metal, not stamped or plated steel. Add 55 candle-arm sockets, hundreds of hand-strung crystals, and the basket-weave brass column, and the assembled weight reaches roughly 110 kg. This is why structural ceiling support and a heavy-duty fixture brace are required — standard residential boxes are not rated for this load.

Is the chandelier dimmable? +

Yes, with the right bulbs. Each arm takes an E12 (US) or E14 (EU) candelabra-base bulb. Install dimmable LED candle bulbs on a TRIAC wall dimmer and the entire 55-light array dims smoothly together. Warm white 2700K–3000K is essential — daylight (5000K+) will cool the brass tone and break the period-appropriate ambiance the fixture is designed for.

What is the design heritage of this style? +

The Zaira draws on the chandelier traditions of 18th- and 19th-century European court lighting — French Empire under Napoleon I, Napoleon III–era Beaux-Arts revival, and the great public chandeliers of the Paris Opera, Versailles, and the European court palaces of the era. The three-tier composition with basket-weave crystal beading and cast acanthus detail is recognizable across that lineage. This is a contemporary made-to-order interpretation of that historic vocabulary, not a reproduction of any specific period piece.

Can I order a different finish or scale? +

Yes. As a made-to-order workshop, we can adapt finish (antique brass / polished gold / silver / custom), crystal type and color, total head count, and dimensions for project-specific requirements — particularly important for historic restoration work and bespoke estate commissions. Custom builds extend lead time; please contact us with your specification at the earliest stage of the project.

  • Unique shape design
  • Made responsibly
  • High quality material
  • Tested for durability

CARE

  • Dust with a soft, dry cloth.
  • To protect finish, we do not recommend the use of household cleaners or abrasives.
  • Do not exceed specified wattage.

SHIPPING & RETURN POLICY

Enjoy free shipping on all products. With Front Door Delivery, your item ships from our Distribution Center via UPS within 2–3 business days and arrives at your home in 4–6 weeks. Eligible items may be returned within 30 days of receipt. Made-to-order items are not eligible for return.

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Radilum - American Brass Collection
Radilum · Brass Atelier · American Lighting

The metal that holds
the light of years.

Brass is the alloy civilisations reach for when they want light to last. Door pulls polished by three generations. Naval instruments still readable a century after the ship was scrapped. Church candelabra that outlive the parish. Radilum's American Brass Collection is built on that same expectation — fixtures forged from H65 cartridge brass, finished by hand, sealed against time, and meant to be the lamp your grandchildren still recognise.

Radilum brass lighting collection in interior setting
Material
H65 Cartridge Brass
Hand Polishing
4–6 Stages
Finish Options
9 Patinas
Surface Sealant
UV-Stable
Warranty
5 Years
§ 01 · The Material

The alloy that refuses to age.

Brass is a brass-zinc alloy whose first known smelting dates to roughly 500 BCE in the eastern Mediterranean — Greek artisans alloying calamine ore with native brass to produce a metal that struck like gold but bent like a tool. By the Roman imperial period, brass was the material of coinage, military fittings, and the household lamps that lit late-republic Rome. Two and a half millennia later it remains, by an enormous margin, the most-used non-ferrous engineering alloy on the planet — and the lighting industry's quiet workhorse.

What makes brass uniquely fit for lighting is a coincidence of properties no single-element metal achieves. Brass gives it warm chromatic depth and the specific red-yellow that reads as luxurious rather than industrial. Zinc hardens the alloy enough to hold sharp turned profiles, threaded fittings, and cast detail without the fragility of pure brass or the dullness of pure brass castings. The blend produces a metal that is workable when you need it to be — and rigid for the next century.

Why H65, Specifically

Of the dozen brass grades available to manufacturers, Radilum specifies H65 cartridge brass — 65% brass, 35% zinc. The name comes from its original use: military shell casings, where the metal had to absorb the shock of firing without splitting. That same toughness, applied to a lamp arm, means the part stays dimensionally stable under decades of thermal cycling, hardware tightening, and bulb replacement. Lower-brass alloys (H62, H59) are cheaper but more brittle. We do not use them.

The Radilum brass collection is built on a simple recognition that the wider lighting industry has spent the last two decades forgetting: that the cost difference between a true brass fixture and a brass-plated zinc one is measurable in years of service, not dollars at checkout.

§ 02 · Why Brass for Light

Four properties that change everything
about how a lamp ages.

Most fixture materials are chosen for what the lamp looks like in the showroom photograph. Brass is one of the very few materials that earns its place over the next thirty years. The differences come down to four physical and aesthetic properties.

01 Mass that reads as quality

Solid H65 brass has a density of 8.5 g/cm³ — denser than steel, denser than cast iron, more than three times the weight of zinc-die-cast. A brass sconce of comparable size to a brass-plated zinc one will weigh nearly four times as much. You feel the difference the moment you lift the box. It's not marketing — it's chemistry.

02 Living finish, not a coating

Brass-plated finishes are paint that happens to be metallic. They scratch, chip, and reveal cheaper alloy underneath. Solid brass is the finish — what you see is the metal itself, polished or patinated. A scratch on plated brass is a flaw; a scratch on solid brass is a wear mark that polishes back out. This is why brass instruments survive a century of touring while plated hardware ages out of fashion in five years.

03 Naturally antimicrobial

Brass alloys are oligodynamic — meaning their surface ions disrupt microbial cell membranes on contact. The EPA registers solid brass and bronze as antimicrobial surfaces. A brass switch plate, lamp pull, or door fitting is meaningfully cleaner than the stainless steel equivalent. For high-touch fixtures (bedside lamps, hallway sconces) this matters more than the brochures usually mention.

04 A spectrum the eye reads as warm

Brass reflects light selectively across the visible spectrum — absorbing slightly more blue and green, reflecting more red and yellow. The result is that any light source mounted in or near a brass fixture acquires a faint warm wash. We design the LED specification with this shift in mind: a 2700K bulb behind brass reads as roughly 2550K to the eye, the colour of late-afternoon window light.

Density
8.5 g/cm³
denser than steel
Hardness
Brinell 110
workable yet rigid
Service Life
100+ Years
documented in fittings
Recyclability
100%
infinite, no downcycle
§ 03 · The Brass Library

Six finishes. Six different conversations
between metal and room.

A single block of H65 can be finished in a dozen ways — and the finish, more than any other variable, decides the personality of the fixture. The atelier maintains six standard finishes and adds custom patinas on request. Physical samples are sent before final order on every project of three fixtures or more.

Polished Mirror
Polished Brass
High-Luster · Reflective
The traditional choice — a mirror finish achieved through five grits of progressive polishing. Reflects the room around it. Best in formal interiors with strong architectural detail. Sealed against tarnish for 25+ years.
  • Reflectivity~85%
  • SealantIncralac
  • Best forFormal rooms
Atelier Signature
Brushed Antique
House Favourite · Hand-Brushed
A directional satin grain followed by a controlled patina bath — gives the fixture a "lived-in" warmth from the day it arrives. Hides minor wear over decades. The Radilum house finish on most American-style pieces.
  • Reflectivity~35%
  • TextureLinear satin
  • Best forMost projects
Oxidised Patina
Antique Bronze
Deep Oxidation · Variegated
A controlled accelerated oxidation produces deep amber-to-near-black tones, often with subtle brass-red highlights at the high points. Reads as a 50-year-old fixture from day one. Pairs with walnut, oxidised oak, and unbleached linen.
  • ToneAmber to black
  • VariationEach unique
  • Best forVintage interiors
Blackened
Blackened Brass
Sulphurised · Matte
A sulphur-based blackening leaves a deep, slightly textured matte black with brass undertones glinting through at edges and high points. Reads architectural rather than industrial. Common in modern luxe and editorial spaces.
  • Reflectivity~5%
  • EdgesBrass glint
  • Best forModern luxe
Unlacquered
Raw Living Brass
No Sealant · Patinas in Use
Solid brass with no protective topcoat — the metal develops its own patina from skin oils, humidity, and time. Two identical fixtures will read differently after one year. Specified by clients who want the lamp to record its own history.
  • SealantNone
  • PatinaContinuous
  • Best forHeritage homes
Nickel-Plated
Satin Nickel
Plated · Cool-Tone
For projects whose palette is cooler than warm brass allows — a brass body electroplated with satin nickel reads as silver-grey but retains the mass and structural integrity of the underlying brass casting. The best of both worlds.
  • PlatingSatin nickel
  • BodySolid H65
  • Best forCool palettes

Beyond the six standard finishes — verdigris greens, oil-rubbed bronze, mirror-polished rose, custom matched samples on request. Discuss specifics with your project lead.

§ 04 · From Ingot to Lamp

Four stages, weeks of hand work,
one lamp.

Every Radilum brass fixture moves through four production stages. We document each stage with timestamped photography that ships to the client with the order — not because the photographs sell anything, but because they're the only way to prove that what we say happened actually happened.

Design and CNC molding
01
Design & Tooling

CNC tooling from the designer's drawing.

A designer's sketch becomes a parametric 3D model, then a five-axis CNC tool path, then the steel mould. Every dimension held to ±0.1 mm. We tool every fixture in-house.

H65 brass casting
02
Casting

H65 brass, sand-cast or forged.

H65 ingots melted to 1080°C — sand-cast for sculptural pieces, precision-forged for structural arms. Cast pieces receive a stress-relief anneal cycle to prevent later cracking.

Hand polishing
03
Hand Finishing

Four to six grits, by one technician.

A single technician carries each fixture through four to six polishing stages — 240 grit to felt-wheel buff. The technician's mark is etched on the fitting plate.

Sealing and lacquer
04
Sealing

Multi-layer sealant, tested for 25 years.

Three coats of imported Incralac — the conservation-grade lacquer used by museums on bronze sculpture. Accelerated-aging tests project 25+ years tarnish-free.

"Plated brass is a finish. Solid brass is a relationship — between the metal, the room, and the years that pass through both."
— Radilum Atelier · Senior Brass Technician
§ 05 · Fixture Categories

Five archetypes — the working portfolio.

Most projects begin from one of five standard categories. Every category scales from intimate residential to full-room hospitality; every category accepts any of the six standard finishes; every category ships UL-listed for North America (CE/SAA available on request).

§ 06 · American Design Heritage

Three principles drawn from two centuries
of American interior design.

The Radilum American Brass Collection is shaped by three lineages — Federal-era neoclassical proportion, the early-20th-century Arts & Crafts movement, and the mid-century industrial vernacular. The result is a portfolio that reads as American not because it is decorated with eagles and stars, but because it carries the same restraint and structural honesty that those three traditions share.

Simple and grand proportion

Restraint & Proportion

From Federal-era cabinetry: symmetry, balance, restraint. Arms stepped at golden-ratio intervals. Canopies sized to match the column they descend from. Nothing is decorative for decoration's sake. The grandeur is in the proportion, not the ornament.

Elegant lines

Structural Honesty

From the Arts & Crafts vocabulary: function expressed, never disguised. Joinery shows. Fasteners are visible and intentional. The arm of a sconce is shaped because it must support a bulb — and that shape is the design. Nothing pretends to be what it isn't.

Classic shade shapes

Classic Shades

From mid-century industrial: opal milk glass, fluted glass, woven linen, perforated metal mesh. Each shade has a hundred-year vocabulary behind it. We pair the shade to the fixture's intended room — not the photographer's preference for what reads on social media.

§ 07 · The Service

From first email to final install — one specialist, six to twelve weeks.

Every Radilum brass project is led by one project specialist from the day the brief arrives through the day the fixture lights up. There is no handover between sales, design, production, and shipping. The same person who answers your first email follows the polishing photographs and tracks the freight forwarder.

01
Day 1–3
Brief & Consult
A 30-minute call. Architectural drawings, mood boards, hardware references — anything you have. Written response within 24 hours.
02
Week 1–2
3D Render
A polished render of the fixture in your room dimensions. Free of charge, no order required. We iterate until you sign off.
03
Week 2–3
Finish Sample Box
Physical 80mm finish swatches — every candidate patina — shipped to your project for in-room evaluation against existing hardware.
04
Week 3–10
Atelier Build
Four-stage manufacture begins. You receive timestamped photographs at tooling, casting, polishing, and sealing.
05
Week 10–11
White-Glove Freight
Custom-built crate, full transit insurance, named courier from atelier to your door. Customs paperwork handled by us.
06
Lifetime
Aftercare
Five-year structural warranty, lifetime advisory on care & cleaning, replacement of any fault-free panel that fails.
✦ ✦ ✦
Radilum · Brass Atelier

Begin with a brief, or a finish sample.

Whether you need a single bedside sconce or a hundred matched fixtures for a hospitality build-out, the first step is the same — write to us. The project specialist who reads your email is the one you'll work with from brief to install. Every email gets a real reply within 24 hours.

  • Fast Shipping

    Fast Shipping

    4-6 weeks for delivery

  • North American Certification

    North American Certification

    North American Certification Overview

  • Safety Payment

    Safety Payment

    Secure payment with Multiple Credit Cards.

Measuring for Pendant Lighting

When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.

Kitchen

Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.

Dining Room

For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.

Bedroom

If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.

Size chart

Size
area XS
Room XS
Size DIA 2"-6" DIA 6"-12" DIA 12"-18" DIA 20"-24" DIA 24"-32" DIA 32"-40"
area 32-54 FT 54-107 FT 107-161 FT 161-215 FT 215-269 FT 269-378 FT
Room BATHROOM/AISLE DINING ROOM KITCHEN BEDROOM LIVING ROOM COMMERCIAL INTERIOR

* Sizes are American and expressed in inches.