Empire-Style · 55 Lights · Crystal & Brass · Estate Chandelier
A grand 55-light chandelier in the language of 19th-century French Empire and Napoleon III court lighting — a three-tier composition of cast brass scrollwork, hand-strung Bohemian-style crystal swags, and three rings of candle-arm lights stepping from a 25-arm lower tier to a 10-arm middle tier and a 20-arm upper crown. The basket-weave crystal beading at the lower body recalls the great chandeliers of Versailles and the Paris Opera. Cast acanthus, rosettes, and finial detail crown the canopy.
Built for estate-scale interiors: grand foyers, ballrooms, double-height great rooms, formal dining rooms in private residences over 5,000 sq ft, luxury hotel lobbies, and historic-restoration projects. At ∅ 62.2″ × H 82.7″ (158 × 210 cm) and 55 individual lights, this is a specification-grade fixture — the cast brass armature, hand-strung crystals, and 18th-century court-lighting silhouette are all assembled by hand. Suited to Beaux-Arts, Neoclassical, French Empire, traditional, and palatial-eclectic interiors.
Features
Cast Brass Armature
Each tier of arms cast in solid brass, hand-aged for warm patina depth across the entire structure.
Hand-Strung Crystals
Bohemian-style crystal swags and basket-weave beading strung by hand — every drop placed individually.
Three-Tier 55 Lights
20-arm upper crown · 10-arm middle ring · 25-arm lower tier — built for ballroom and great-room scale.
Hand-aged cast brass & hand-strung crystal. Each piece is cast, finished, and assembled by hand — subtle variation in brass tone, crystal hand-stringing, and finial detail between pieces is part of the artisanal character. The crystals are individually strung onto the brass armature; allow 30–60 minutes after unpacking to gently shape any chains that compressed in transit.
Estate-scale fixture — reinforced ceiling support required. The 55-light Zaira is approximately 110 kg / 242 lbs assembled, far exceeding the rated load of standard residential ceiling junction boxes. Your electrician and structural engineer must confirm joist support and install a heavy-duty fixture brace before installation.
Product Notes
∅ 158 × H 210 cm
55 Heads · ∅ 62.2″ × H 82.7″ · approximately 110 kg / 242 lbs · 19.7″ hanging chain
| Materials | Cast brass body, arms & finials · Hand-strung Bohemian-style crystal swags & basket-weave beading |
| Finish | Hand-aged polished brass · clear crystal |
| Style | French Empire · Napoleon III · Beaux-Arts · 19th-century court chandelier |
| Configuration | 3-tier · 20-arm upper crown + 10-arm middle ring + 25-arm lower tier · 55 lights total |
| Dimensions | ∅ 158 × H 210 cm · ∅ 62.2″ × H 82.7″ |
| Weight | Approximately 110 kg / 242 lbs assembled · structural ceiling support required |
| Bulb Base | E12 (US) or E14 (EU) candelabra socket per arm · 55 bulbs · not included |
| Bulbs Recommended | Warm white 2700K–3000K LED candle bulbs, max 25W incandescent equivalent each (lower wattage prevents long-term heat impact on crystals) |
| Color Temperature | Depends on bulbs chosen · warm white recommended to bring out the cast brass and crystal play |
| Dimming | Compatible if dimmable bulbs and a TRIAC dimmer are installed (recommended for ambient evening use) |
| Voltage | AC 110–240V · universal · also available in custom voltages for international and historic-restoration projects |
| Mounting | Hardwired pendant · 19.7″ (50 cm) hanging chain supplied, adjustable on-site · heavy-duty ceiling brace + structural joist support required |
| Recommended Ceiling Height | Minimum 12 ft (3.6 m) for proper proportion · best at 15–25 ft (4.5–7.5 m) double-height great rooms and ballroom ceilings |
| SKU | RDC-150906 |
| Lead Time | Made-to-order · estate-grade fixtures typically require extended production · contact us for current timeline |
| Trade & Project | Designer specification packets, trade pricing, and project-quantity coordination available · please contact for project-specific quotes |
| Best For | Grand foyers · Ballrooms · Double-height great rooms · Formal dining rooms in 5,000+ sq ft estates · Luxury hotel lobbies · Historic-restoration projects · Beaux-Arts, Neoclassical, French Empire & palatial-eclectic interiors |
Installation
- Specialist installation strongly recommended. At ~110 kg / 242 lbs and ∅ 62.2″, this fixture should not be installed by general handymen — engage a chandelier installer or a licensed electrician with experience in estate-grade fixtures.
- Structural ceiling support is required. A heavy-duty fixture brace must be anchored to ceiling joists; standard residential junction boxes are not rated for this weight. Consult a structural engineer if joist spans are unclear.
- Hanging chain supplied at 50 cm (19.7″); chain length can be adjusted on-site for ceiling height. Custom chain extensions available for 20+ ft ceilings.
- Crystals are individually packed and strung onto the brass armature on-site. Allow 4–8 hours of skilled assembly time depending on installer experience.
- Fits 55 E12 (US) or E14 (EU) candelabra-base bulbs — supply your own warm-white LED candle bulbs. We recommend 25W incandescent equivalent each (1.5–3W actual LED draw) to manage total fixture wattage and crystal heat exposure.
- Verify ceiling clearance: minimum 12 ft (3.6 m) for proper proportion, ideally 15–25 ft for full visual impact.
- Indoor only · clean crystal pendants periodically with a soft dry microfiber cloth or specialist crystal-cleaning gloves; avoid liquid sprays which leave residue on cast brass.
Downloads
FAQ
What size space is the Zaira designed for? +
This is an estate-scale fixture. At ∅ 62.2″ × H 82.7″ (158 × 210 cm), it's built for grand foyers and great rooms of 40+ m² (430+ sq ft), formal dining rooms in 5,000+ sq ft residences, ballrooms, hotel lobbies, and historic-restoration projects. It needs minimum 12 ft (3.6 m) ceilings to read in proportion, ideally 15–25 ft (4.5–7.5 m) for full visual impact.
Do you offer trade pricing for designers and project quantities? +
Yes. We work with interior designers, architects, hospitality groups, and estate-construction firms on specification packets, trade pricing, and project-quantity coordination. For custom finishes, voltage requirements (e.g. UK BS 110V variants for historic restorations), or matched chandelier-and-sconce sets across a project, please contact us with your specification before ordering.
How is the chandelier shipped? +
The fixture ships in multiple custom-built crates with crystals individually packed for transit. Because of the size and weight (~110 kg / 242 lbs), freight delivery is required — please confirm your delivery address has appropriate access (truck approach, ceiling clearance for crates, etc.) before ordering. On-site assembly typically requires a skilled chandelier installer 4–8 hours. We can provide installation guidance documentation, but on-site installation is arranged by you.
Why does it weigh 242 lbs? +
The Zaira is built from solid cast brass — every arm, finial, rosette, and structural element is cast metal, not stamped or plated steel. Add 55 candle-arm sockets, hundreds of hand-strung crystals, and the basket-weave brass column, and the assembled weight reaches roughly 110 kg. This is why structural ceiling support and a heavy-duty fixture brace are required — standard residential boxes are not rated for this load.
Is the chandelier dimmable? +
Yes, with the right bulbs. Each arm takes an E12 (US) or E14 (EU) candelabra-base bulb. Install dimmable LED candle bulbs on a TRIAC wall dimmer and the entire 55-light array dims smoothly together. Warm white 2700K–3000K is essential — daylight (5000K+) will cool the brass tone and break the period-appropriate ambiance the fixture is designed for.
What is the design heritage of this style? +
The Zaira draws on the chandelier traditions of 18th- and 19th-century European court lighting — French Empire under Napoleon I, Napoleon III–era Beaux-Arts revival, and the great public chandeliers of the Paris Opera, Versailles, and the European court palaces of the era. The three-tier composition with basket-weave crystal beading and cast acanthus detail is recognizable across that lineage. This is a contemporary made-to-order interpretation of that historic vocabulary, not a reproduction of any specific period piece.
Can I order a different finish or scale? +
Yes. As a made-to-order workshop, we can adapt finish (antique brass / polished gold / silver / custom), crystal type and color, total head count, and dimensions for project-specific requirements — particularly important for historic restoration work and bespoke estate commissions. Custom builds extend lead time; please contact us with your specification at the earliest stage of the project.
- Unique shape design
- Made responsibly
- High quality material
- Tested for durability
CARE
CARE
- Dust with a soft, dry cloth.
- To protect finish, we do not recommend the use of household cleaners or abrasives.
- Do not exceed specified wattage.
SHIPPING & RETURN POLICY
SHIPPING & RETURN POLICY
Enjoy free shipping on all products. With Front Door Delivery, your item ships from our Distribution Center via UPS within 2–3 business days and arrives at your home in 4–6 weeks. Eligible items may be returned within 30 days of receipt. Made-to-order items are not eligible for return.
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The metal that holds
the light of years.
Brass is the alloy civilisations reach for when they want light to last. Door pulls polished by three generations. Naval instruments still readable a century after the ship was scrapped. Church candelabra that outlive the parish. Radilum's American Brass Collection is built on that same expectation — fixtures forged from H65 cartridge brass, finished by hand, sealed against time, and meant to be the lamp your grandchildren still recognise.
The alloy that refuses to age.
Brass is a brass-zinc alloy whose first known smelting dates to roughly 500 BCE in the eastern Mediterranean — Greek artisans alloying calamine ore with native brass to produce a metal that struck like gold but bent like a tool. By the Roman imperial period, brass was the material of coinage, military fittings, and the household lamps that lit late-republic Rome. Two and a half millennia later it remains, by an enormous margin, the most-used non-ferrous engineering alloy on the planet — and the lighting industry's quiet workhorse.
What makes brass uniquely fit for lighting is a coincidence of properties no single-element metal achieves. Brass gives it warm chromatic depth and the specific red-yellow that reads as luxurious rather than industrial. Zinc hardens the alloy enough to hold sharp turned profiles, threaded fittings, and cast detail without the fragility of pure brass or the dullness of pure brass castings. The blend produces a metal that is workable when you need it to be — and rigid for the next century.
Of the dozen brass grades available to manufacturers, Radilum specifies H65 cartridge brass — 65% brass, 35% zinc. The name comes from its original use: military shell casings, where the metal had to absorb the shock of firing without splitting. That same toughness, applied to a lamp arm, means the part stays dimensionally stable under decades of thermal cycling, hardware tightening, and bulb replacement. Lower-brass alloys (H62, H59) are cheaper but more brittle. We do not use them.
The Radilum brass collection is built on a simple recognition that the wider lighting industry has spent the last two decades forgetting: that the cost difference between a true brass fixture and a brass-plated zinc one is measurable in years of service, not dollars at checkout.
Four properties that change everything
about how a lamp ages.
Most fixture materials are chosen for what the lamp looks like in the showroom photograph. Brass is one of the very few materials that earns its place over the next thirty years. The differences come down to four physical and aesthetic properties.
01 Mass that reads as quality
Solid H65 brass has a density of 8.5 g/cm³ — denser than steel, denser than cast iron, more than three times the weight of zinc-die-cast. A brass sconce of comparable size to a brass-plated zinc one will weigh nearly four times as much. You feel the difference the moment you lift the box. It's not marketing — it's chemistry.
02 Living finish, not a coating
Brass-plated finishes are paint that happens to be metallic. They scratch, chip, and reveal cheaper alloy underneath. Solid brass is the finish — what you see is the metal itself, polished or patinated. A scratch on plated brass is a flaw; a scratch on solid brass is a wear mark that polishes back out. This is why brass instruments survive a century of touring while plated hardware ages out of fashion in five years.
03 Naturally antimicrobial
Brass alloys are oligodynamic — meaning their surface ions disrupt microbial cell membranes on contact. The EPA registers solid brass and bronze as antimicrobial surfaces. A brass switch plate, lamp pull, or door fitting is meaningfully cleaner than the stainless steel equivalent. For high-touch fixtures (bedside lamps, hallway sconces) this matters more than the brochures usually mention.
04 A spectrum the eye reads as warm
Brass reflects light selectively across the visible spectrum — absorbing slightly more blue and green, reflecting more red and yellow. The result is that any light source mounted in or near a brass fixture acquires a faint warm wash. We design the LED specification with this shift in mind: a 2700K bulb behind brass reads as roughly 2550K to the eye, the colour of late-afternoon window light.
Six finishes. Six different conversations
between metal and room.
A single block of H65 can be finished in a dozen ways — and the finish, more than any other variable, decides the personality of the fixture. The atelier maintains six standard finishes and adds custom patinas on request. Physical samples are sent before final order on every project of three fixtures or more.
- Reflectivity~85%
- SealantIncralac
- Best forFormal rooms
- Reflectivity~35%
- TextureLinear satin
- Best forMost projects
- ToneAmber to black
- VariationEach unique
- Best forVintage interiors
- Reflectivity~5%
- EdgesBrass glint
- Best forModern luxe
- SealantNone
- PatinaContinuous
- Best forHeritage homes
- PlatingSatin nickel
- BodySolid H65
- Best forCool palettes
Beyond the six standard finishes — verdigris greens, oil-rubbed bronze, mirror-polished rose, custom matched samples on request. Discuss specifics with your project lead.
Four stages, weeks of hand work,
one lamp.
Every Radilum brass fixture moves through four production stages. We document each stage with timestamped photography that ships to the client with the order — not because the photographs sell anything, but because they're the only way to prove that what we say happened actually happened.
CNC tooling from the designer's drawing.
A designer's sketch becomes a parametric 3D model, then a five-axis CNC tool path, then the steel mould. Every dimension held to ±0.1 mm. We tool every fixture in-house.
H65 brass, sand-cast or forged.
H65 ingots melted to 1080°C — sand-cast for sculptural pieces, precision-forged for structural arms. Cast pieces receive a stress-relief anneal cycle to prevent later cracking.
Four to six grits, by one technician.
A single technician carries each fixture through four to six polishing stages — 240 grit to felt-wheel buff. The technician's mark is etched on the fitting plate.
Multi-layer sealant, tested for 25 years.
Three coats of imported Incralac — the conservation-grade lacquer used by museums on bronze sculpture. Accelerated-aging tests project 25+ years tarnish-free.
Five archetypes — the working portfolio.
Most projects begin from one of five standard categories. Every category scales from intimate residential to full-room hospitality; every category accepts any of the six standard finishes; every category ships UL-listed for North America (CE/SAA available on request).
Three principles drawn from two centuries
of American interior design.
The Radilum American Brass Collection is shaped by three lineages — Federal-era neoclassical proportion, the early-20th-century Arts & Crafts movement, and the mid-century industrial vernacular. The result is a portfolio that reads as American not because it is decorated with eagles and stars, but because it carries the same restraint and structural honesty that those three traditions share.
Restraint & Proportion
From Federal-era cabinetry: symmetry, balance, restraint. Arms stepped at golden-ratio intervals. Canopies sized to match the column they descend from. Nothing is decorative for decoration's sake. The grandeur is in the proportion, not the ornament.
Structural Honesty
From the Arts & Crafts vocabulary: function expressed, never disguised. Joinery shows. Fasteners are visible and intentional. The arm of a sconce is shaped because it must support a bulb — and that shape is the design. Nothing pretends to be what it isn't.
Classic Shades
From mid-century industrial: opal milk glass, fluted glass, woven linen, perforated metal mesh. Each shade has a hundred-year vocabulary behind it. We pair the shade to the fixture's intended room — not the photographer's preference for what reads on social media.
From first email to final install — one specialist, six to twelve weeks.
Every Radilum brass project is led by one project specialist from the day the brief arrives through the day the fixture lights up. There is no handover between sales, design, production, and shipping. The same person who answers your first email follows the polishing photographs and tracks the freight forwarder.
Begin with a brief, or a finish sample.
Whether you need a single bedside sconce or a hundred matched fixtures for a hospitality build-out, the first step is the same — write to us. The project specialist who reads your email is the one you'll work with from brief to install. Every email gets a real reply within 24 hours.
Fast Shipping
4-6 weeks for delivery
North American Certification
North American Certification Overview
Safety Payment
Secure payment with Multiple Credit Cards.
Measuring for Pendant Lighting
When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.
Kitchen
Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.
Dining Room
For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.
Bedroom
If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.
Size chart
| Size |
| area XS |
| Room XS |
| Size | DIA 2"-6" | DIA 6"-12" | DIA 12"-18" | DIA 20"-24" | DIA 24"-32" | DIA 32"-40" |
|---|---|---|---|---|---|---|
| area | 32-54 FT | 54-107 FT | 107-161 FT | 161-215 FT | 215-269 FT | 269-378 FT |
| Room | BATHROOM/AISLE | DINING ROOM | KITCHEN | BEDROOM | LIVING ROOM | COMMERCIAL INTERIOR |
* Sizes are American and expressed in inches.


















