Latão Forjado · Vidro Leitoso · Arandela de Casa de Banho Transicional
Uma arandela de braço curto na linguagem da iluminação clássica de casas de banho e quartos de vestir americanos — uma placa de encosto com medalhão escalonado, um braço de latão torneado com detalhe em sino e uma cúpula de vidro leitoso fosco que emite luz difusa e suave. O corpo é forjado em latão em folha para substância e durabilidade, depois é revestido e acabado à mão.
A cúpula de vidro leitoso difunde a luz de forma uniforme sem encandeamento, ideal para espelhos de penteadeira e espaços de higiene pessoal. Disponível em cinco acabamentos — Latão Polido, Preto Mate, Cromado, Níquel Polido e Branco — e em configurações de uma, duas ou três luzes para penteadeiras de qualquer largura. Adequada para casas de banho de visitas, penteadeiras da casa de banho principal, pares em corredores e quartos de vestir em interiores tradicionais, transicionais e Regência de Hollywood.
Características
Latão Forjado
Corpo de latão em folha forjado — mais pesado e durável do que alternativas giradas ou fundidas.
Cúpula de Vidro Leitoso
Vidro leitoso fosco que difunde a luz uniformemente — sem encandeamento para espelhos de penteadeira e higiene pessoal.
1, 2 ou 3 Luzes
Escolha a configuração que corresponde à largura da sua penteadeira — barra de um, dois ou três braços.
Acabamento — Escolha na Compra
Latão Dourado Lacado
Ouro mel quente — penteadeiras transicionais e tradicionais clássicas americanas.
Preto Mate
Preto mate suave — casas de banho modernas e de alto contraste com mármore ou pedra.
Cromado Polido
Prata brilhante com espelho polido — fresco em casas de banho modernas e minimalistas.
Níquel Polido
Tom de prata mais quente do que o cromado — lisonjeador com mármore creme e madeira quente.
Branco
Branco acetinado limpo — desaparece em paredes pálidas para uma instalação mais discreta.
Latão forjado & revestimento acabado à mão. O corpo é forjado em latão em folha e acabado à mão — variação menor no tom do revestimento faz parte do carácter artesanal. Cada cúpula de vidro leitoso é moldada a sopro e pode apresentar diferenças subtis de forma e espessura de parede típicas do vidro moldado à mão.
Notas do Produto
D 15 × L 20,5 × A 26 cm
1 Luz · ∅ 5,9″ × L 8,1″ × A 10,2″
D 47 × L 20,5 × A 26 cm
3 Luzes · ∅ 18,5″ × L 8,1″ × A 10,2″
| Materiais | Corpo de latão em folha forjado · Cúpulas de vidro · Cúpula de alabastro |
| Acabamento | Latão Polido · Preto Mate · Cromado · Níquel Polido · Branco · escolha na finalização da encomenda |
| Estilo | Transicional americano · arandela de penteadeira/casa de banho · braço curto |
| Tamanho — 1 Cabeça | D 15 × L 20,5 × A 26 cm · ∅ 5,9″ × L 8,1″ × A 10,2″ |
| Tamanho — 2 Cabeças | D 35,5 × L 20,5 × A 26 cm · ∅ 14″ × L 8,1″ × A 10,2″ |
| Tamanho — 3 Cabeças | D 47 × W 20,5 × H 26 cm · ∅ 18,5″ × W 8,1″ × H 10,2″ |
| Base do Candeeiro | Casquilho E14 por braço · lâmpadas não incluídas |
| Lâmpadas Recomendadas | Lâmpada de vela LED branco quente 2700K–3000K, máximo 40W equivalente a incandescência cada |
| Temperatura de Cor | Depende da lâmpada escolhida · recomenda-se luz branca quente para um brilho suave no vidro leitoso |
| Regulação | Compatível com lâmpada regulável e regulador TRIAC instalados |
| Tensão | AC 110–240V · universal |
| Montagem | Embutida na caixa de derivação de parede · placa de acabamento com degraus cobre a maioria das caixas de parede de um pólo americanas |
| SKU | RDW-102213 |
| Prazo de Entrega | Sob encomenda · consulte a estimativa no checkout |
| Ideal Para | Bancadas de casas de banho e pó · Camarins · Pares em corredores · Acima de espelhos e armários de medicamentos · Interiores tradicionais e de transição |
Instalação
- Fiação de parede até caixa de emenda padrão — recomenda-se instalação profissional.
- Placa de acabamento com degraus cobre a maioria das caixas de parede de um pólo americanas; verifique antes de furar.
- Para instalação em bancada de casa de banho, instale a 75–80″ acima do piso acabado (centrada acima do espelho) para a 1 lâmpada, ou centre a barra com 2/3 lâmpadas acima do ponto médio da bancada.
- Compatível com lâmpadas de base E14 — forneça suas próprias lâmpadas LED vela branco-quente (uma por lâmpada).
- Adequada para instalações gerais em casa de banho afastada de spray direto de chuveiro.
- Limpe o vidro e metal com um pano macio seco; evite limpadores abrasivos em acabamentos revestidos.
Transferências
FAQ
Como escolho entre 1, 2 e 3 lâmpadas? +
Para uma bancada com menos de 24″ de largura, a 1 lâmpada (centrada acima do espelho) funciona melhor. Para bancadas de 24–48″, a 2 lâmpadas (∅ 14″ barra) — centrada acima da bacia. Para bancadas duplas de 48–72″, a 3 lâmpadas (∅ 18,5″ barra) — ou um par de cabeças únicas flanqueando cada espelho. Confirme a escala em relação ao seu layout de bancada.
O arandela Chart é regulável? +
Sim, com a lâmpada correta. Cada cabeça recebe uma lâmpada candelabro E14. Instale lâmpadas LED vela reguláveis num regulador de parede TRIAC e o arandela reduz-se suavemente. Recomenda-se luz branca quente 2700K–3000K para uma iluminação de asseio lisonjeira.
Posso usá-lo numa casa de banho acima de um chuveiro? +
O Chart é adequado para instalações gerais em casa de banho afastadas do spray direto do chuveiro — por exemplo acima de uma bancada, espelho ou numa casa de banho de pó. Evite colocá-lo diretamente acima de um chuveiro ou banheira onde o vapor e o spray de água fazem contacto sustentado. Para instalações em zona húmida, contacte-nos.
Que acabamento devo escolher? +
O latão polido combina bem com casas de banho tradicionais e de transição com tons creme ou madeira. Preto mate ancora casas de banho modernas com mármol e pedra. Chrome tem um tom fresco e moderno; níquel polido é mais quente do que chrome e combina bem com mármore creme. Branco desaparece em paredes pálidas para uma instalação mais discreta.
Por que latão forjado em queda em vez de fundido ou girado? +
A forjagem em queda comprime folha de latão sob alta pressão para produzir um corpo mais denso e resistente do que as alternativas fundidas ou giradas — melhor para reter o revestimento a longo prazo e menos propenso a amassados. O compromisso é maior peso e custo de produção mais elevado, razão pela qual o latão forjado em queda é o padrão para arandelas de casa de banho americanas de primeira qualidade.
- Design de forma única
- Fabricado com responsabilidade
- Material de alta qualidade
- Testado quanto à durabilidade
MANUTENÇÃO
MANUTENÇÃO
- Limpe com um pano macio e seco.
- Para proteger o acabamento, não recomendamos o uso de limpadores domésticos ou abrasivos.
- Não exceda a potência especificada.
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The metal that holds
the light of years.
Brass is the alloy civilisations reach for when they want light to last. Door pulls polished by three generations. Naval instruments still readable a century after the ship was scrapped. Church candelabra that outlive the parish. Radilum's American Brass Collection is built on that same expectation — fixtures forged from H65 cartridge brass, finished by hand, sealed against time, and meant to be the lamp your grandchildren still recognise.

The alloy that refuses to age.
Brass is a copper-zinc alloy whose first known smelting dates to roughly 500 BCE in the eastern Mediterranean — Greek artisans alloying calamine ore with native copper to produce a metal that struck like gold but bent like a tool. By the Roman imperial period, brass was the material of coinage, military fittings, and the household lamps that lit late-republic Rome. Two and a half millennia later it remains, by an enormous margin, the most-used non-ferrous engineering alloy on the planet — and the lighting industry's quiet workhorse.
What makes brass uniquely fit for lighting is a coincidence of properties no single-element metal achieves. Copper gives it warm chromatic depth and the specific red-yellow that reads as luxurious rather than industrial. Zinc hardens the alloy enough to hold sharp turned profiles, threaded fittings, and cast detail without the softness of pure copper or the dullness of grey castings. The blend produces a metal that is workable when you need it to be — and rigid for the next century.
Of the dozen brass grades available to manufacturers, Radilum specifies H65 cartridge brass — 65% copper, 35% zinc. The name comes from its original use: military shell casings, where the metal had to absorb the shock of firing without splitting. That same toughness, applied to a lamp arm, means the part stays dimensionally stable under decades of thermal cycling, hardware tightening, and bulb replacement. Lower-copper alloys (H62, H59) are cheaper but more brittle. We do not use them.
The Radilum brass collection is built on a simple recognition that the wider lighting industry has spent the last two decades forgetting: that the cost difference between a true brass fixture and a brass-plated zinc one is measurable in years of service, not dollars at checkout.
Four properties that change everything
about how a lamp ages.
Most fixture materials are chosen for what the lamp looks like in the showroom photograph. Brass is one of the very few materials that earns its place over the next thirty years. The differences come down to four physical and aesthetic properties.
01 Mass that reads as quality
Solid H65 brass has a density of 8.5 g/cm³ — denser than steel, denser than cast iron, more than three times the weight of zinc-die-cast. A brass sconce of comparable size to a brass-plated zinc one will weigh nearly four times as much. You feel the difference the moment you lift the box. It's not marketing — it's chemistry.
02 Living finish, not a coating
Brass-plated finishes are paint that happens to be metallic. They scratch, chip, and reveal cheaper alloy underneath. Solid brass is the finish — what you see is the metal itself, polished or patinated. A scratch on plated brass is a flaw; a scratch on solid brass is a wear mark that polishes back out. This is why brass instruments survive a century of touring while plated hardware ages out of fashion in five years.
03 Naturally antimicrobial
Copper alloys are oligodynamic — meaning their surface ions disrupt microbial cell membranes on contact. The EPA registers solid brass and bronze as antimicrobial surfaces. A brass switch plate, lamp pull, or door fitting is meaningfully cleaner than the stainless steel equivalent. For high-touch fixtures (bedside lamps, hallway sconces) this matters more than the brochures usually mention.
04 A spectrum the eye reads as warm
Brass reflects light selectively across the visible spectrum — absorbing slightly more blue and green, reflecting more red and yellow. The result is that any light source mounted in or near a brass fixture acquires a faint warm wash. We design the LED specification with this shift in mind: a 2700K bulb behind brass reads as roughly 2550K to the eye, the colour of late-afternoon window light.
Six finishes. Six different conversations
between metal and room.
A single block of H65 can be finished in a dozen ways — and the finish, more than any other variable, decides the personality of the fixture. The atelier maintains six standard characters and adds custom patinas on request. Physical samples are sent before final order on every project of three fixtures or more.
- Reflectivity~85%
- SealantIncralac
- Best forFormal rooms
- Reflectivity~35%
- TextureLinear satin
- Best forMost projects
- ToneAmber to black
- VariationEach unique
- Best forVintage interiors
- Reflectivity~5%
- EdgesBrass glint
- Best forModern luxe
- SealantNone
- PatinaContinuous
- Best forHeritage homes
- PlatingSatin nickel
- BodySolid H65
- Best forCool palettes
The seventeen you can actually order
The six characters above describe how a finish behaves. What you specify is one of seventeen numbered finishes — or a custom patina grown to match a sample you send us.
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17Finishes 01–17 · brass, bronze, iron, steel, nickel, chrome, black · custom patinas matched on request
Order by number, not by name. "Antique brass," "aged brass," "burnished brass" — ask five workshops what those mean and five different metals come back. Finish 04 is the same physical sample in our studio, on the atelier bench, and on your packing list.
And because no screen renders metal honestly, we ship the physical panels before anything is committed. Hold them against your cabinetry and wall paint, at the hour you actually use the room — then send the number.
Color that is grown, not painted on.
A brass finish is not a coat of paint — it is a controlled chemical reaction on the surface of the metal itself. Where a sprayed lacquer sits on top and eventually chips, a true patina is the brass reacting with sulphur, ammonia, or acid salts until its surface ions shift colour. The tone you see is the metal, transformed. That is why a patinated Radilum fixture deepens with age instead of peeling — and why every piece is coloured by hand, one at a time.
Seven stages, ten to twelve weeks,
and nothing exists before you choose.
A Radilum fixture is not pulled from a shelf. It is tooled, cast, polished, patinated and sealed after you order it — which is why the finish can be anything you want, and why the whole thing takes twelve weeks rather than two days.
One project specialist carries the commission from brief to install. There is no handover between sales, design, production and freight; the person who answers your first email is the one who sends you the polishing photographs.
The four stages you will see photographed
Stages three through six happen in the atelier, and each one arrives in your inbox as a timestamped photograph. Not because pictures sell anything — twelve weeks is a long time to trust a workshop on the other side of the world, and a photograph is the only thing that proves what we described actually happened. They come whether or not you ask.

Steel cut from your drawing
The signed-off render becomes a parametric model, then a five-axis tool path, then a steel mould cut in our own shop. Nothing is outsourced here — a tolerance lost at this stage cannot be recovered later.

H65 — the shell-casing alloy
65% copper, 35% zinc: the brass first specified for military cartridges because it absorbs shock without splitting. Every cast piece is annealed so it will not crack a decade from now.

Colour is grown, not sprayed
One technician carries your fixture through every grit, then the patina bath. The reaction is arrested within seconds of reaching tone, and high points are rubbed back by hand. Their mark is etched on the fitting plate.

Multi-layer sealant, tested for 25 years
Three coats of imported Incralac — the conservation lacquer museums use on bronze sculpture. Accelerated-aging tests project 25+ years tarnish-free — or we skip this stage entirely, by request.
The swatch is the cheapest step in the entire commission and the only one that prevents a remake — the finish is the single variable that cannot be corrected once the fixture is built.
Five archetypes — the working portfolio.
Most projects begin from one of five standard categories. Every category scales from intimate residential to full-room hospitality; every category accepts any of the seventeen finishes; every category ships UL-listed for North America (CE/SAA available on request).






Three principles drawn from two centuries
of American interior design.
The Radilum American Brass Collection is shaped by three lineages — Federal-era neoclassical proportion, the early-20th-century Arts & Crafts movement, and the mid-century industrial vernacular. The result is a portfolio that reads as American not because it is decorated with eagles and stars, but because it carries the same restraint and structural honesty that those three traditions share.

Restraint & Proportion
From Federal-era cabinetry: symmetry, balance, restraint. Arms stepped at golden-ratio intervals. Canopies sized to match the column they descend from. Nothing is decorative for decoration's sake. The grandeur is in the proportion, not the ornament.

Structural Honesty
From the Arts & Crafts vocabulary: function expressed, never disguised. Joinery shows. Fasteners are visible and intentional. The arm of a sconce is shaped because it must support a bulb — and that shape is the design. Nothing pretends to be what it isn't.

Classic Shades
From mid-century industrial: opal milk glass, fluted glass, woven linen, perforated metal mesh. Each shade has a hundred-year vocabulary behind it. We pair the shade to the fixture's intended room — not the photographer's preference for what reads on social media.
Begin with a brief, or a finish sample.
Whether you need a single bedside sconce or a hundred matched fixtures for a hospitality build-out, the first step is the same — write to us. The project specialist who reads your email is the one you'll work with from brief to install. Every email gets a real reply within 24 hours.
Envio Rápido
4-6 semanas para entrega
Certificação da América do Norte
Descrição Geral da Certificação da América do Norte
Pagamento Seguro
Pagamento seguro com múltiplos cartões de crédito.
Measuring for Pendant Lighting
When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.
Kitchen
Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.
Dining Room
For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.
Bedroom
If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.
Tabela de tamanhos
| Tamanho |
| Área XS |
| Divisão XS |
| Tamanho | DIÂM. 2"-6" | DIÂM. 6"-12" | DIÂM. 12"-18" | DIÂM. 20"-24" | DIÂM. 24"-32" | DIÂM. 32"-40" |
|---|---|---|---|---|---|---|
| Área | 32-54 PÉS2 | 54-107 PÉS2 | 107-161 PÉS2 | 161-215 PÉS2 | 215-269 PÉS2 | 269-378 PÉS2 |
| Divisão | CASAS DE BANHO/CORREDOR | SALA DE JANTAR | COZINHA | QUARTO | SALA DE ESTAR | INTERIORES COMERCIAIS |
* Os tamanhos são americanos e expressos em polegadas.
































































