Braço Ondulado em Latão · Difusor em Tecido Branco · Versões Simples e Duplas
Um estudo em linhas contrastantes — a Magdalene combina um braço de metal suavemente ondulado com um difusor de tecido tradicional de linhas limpas, fundindo dois vocabulários de design numa arandela discreta e elegante. Disponível como luminária simples para realçar espaços, ou dupla direccional (Esquerda & Direita) para colocações simétricas de cabeceira, espelho ou lareira.
Veja em Ação
Visão geral do produto
Acabamento do Corpo — Escolha na Finalização da Compra
O braço de metal
Configuração — Escolha no Checkout
Simples — 1 Cabeça
Ø 25 × A 34 cm
∅ 9.8″ × H 13.4″
Dupla — 2 Cabeças
Ø 60 × A 42 cm
∅ 23.6″ × H 16.5″
Para a versão dupla (2 cabeças) — escolha a orientação
Virada para a Esquerda
O braço ondulado vira para a esquerda — fixa-se no lado direito de um espelho, cama ou lareira.
Virada para a Direita
O braço ondulado vira para a direita — fixa-se no lado esquerdo para simetria de espelho.
Materiais e Acabamento
Corpo em Latão
Braço de metal maciço com silhueta suavemente ondulada — acabamento em Latão ou Preto para um visual polido e escultural.
Difusor de Tecido
Difusor de tecido creme-branco de linhas limpas — suaviza o brilho da lâmpada numa luz quente e ambiente.
Espelho de Montagem Compacto
Espelho de montagem de parede com Ø 15 × A 16 cm — adequa-se a caixas de parede simples para instalação limpa.
Notas do Produto
| Dimensões | 1 Cabeça: Ø 25 × A 34 cm / ∅ 9.8″ × A 13.4″ 2 Cabeças: Ø 60 × A 42 cm / ∅ 23.6″ × A 16.5″ |
| Tamanho do espelho | Ø 15 × A 16 cm / ∅ 5.9″ × A 6.3″ |
| Material da estrutura | Metal — acabamento em Latão ou Preto |
| Material da esfera | Tecido branco — tom creme-branco, cor fixa |
| Acabamentos do corpo | Latão · Preto |
| Orientação dupla | Voltado para a esquerda ou para a direita — encomende um de cada para um par simétrico |
| Tipo de casquilho | E26 ou E27 |
| Lâmpada incluída | Não — vendida separadamente |
| Cablagem | Instalação fixa na parede |
| SKU | RDW-082608 |
Instalação
- Instalação fixa na parede — recomenda-se um eletricista licenciado.
- Encaixa numa caixa de parede de uma única tomada padrão. Todo o hardware de montagem está incluído.
- Para pares simétricos, instale um voltado para a esquerda e outro voltado para a direita à mesma altura, igualmente espaçados da sua peça central (centro do espelho, centro da cama, centro da lareira).
- Altura recomendada: ao nível dos olhos (≈ 150 cm / 60″ do chão) para uso geral de destaque; 80–100 cm acima do criado para arandelas de leitura.
- Regulável em intensidade quando emparelhada com uma lâmpada LED regulável e um interruptor dimmer compatível com TRIAC.
FAQ
Qual é a diferença entre Voltado para a Esquerda e Voltado para a Direita? +
A versão twin (2 cabeças) tem um braço ondulante que segue uma direção. Voltado para a Esquerda significa que o braço segue para a esquerda e é melhor instalado no lado direito de uma peça (para que a curva flua para o centro). Voltado para a Direita espelha isto — segue para a direita, instala-se à esquerda. Para uma arandela única, escolha a direção que melhor equilibra a composição da sua parede.
Posso encomendar um Voltado para a Esquerda e outro para a Direita para fazer um par? +
Sim — essa é a configuração mais comum para a versão twin. Adicione um Voltado para a Esquerda e outro Voltado para a Direita ao seu carrinho na finalização da compra. Eles espelham-se mutuamente para criar simetria perfeita de cada lado de uma cama, espelho de vaidade, lareira ou parede de destaque do corredor.
A cor do difusor é uma opção? +
O difusor em tecido é branco apenas — um branco creme neutro que combina perfeitamente com ambos os acabamentos em metal Latão e Preto. A seleção de cores (Latão / Preto) refere-se apenas ao braço de metal.
Que tamanho devo escolher? +
A versão única (1 cabeça) (∅ 25 cm) é adequada para corredores, destaque de parede ou como uma lâmpada de leitura única no criado. A versão twin (2 cabeças) (∅ 60 cm) é mais larga e tem maior presença — ideal para flanquear um espelho, vaidade ou parede de destaque, especialmente em pares.
Qual lâmpada recomenda? +
Uma lâmpada LED branca quente (2700K) com base E26 ou E27, a 4–6W. Uma lâmpada fosca ou em forma de globo oferece a luz mais suave através do difusor em tecido branco. Evite lâmpadas transparentes com filamentos visíveis — podem ser muito evidentes atrás do difusor.
A luminária é regulável? +
Sim — emparelhada com uma lâmpada LED regulável e um dimmer de parede compatível com TRIAC (p. ex. Lutron Skylark, Leviton Decora), a Magdalene reduz a intensidade suavemente. A luminária não tem dimmer integrado.
Como devo cuidar do difusor em tecido? +
Limpe suavemente o difusor em tecido com uma escova macia ou pano de microfibra seco. Evite humidade, sprays de limpeza localizada ou limpeza húmida — podem manchar ou enfraquecer o tecido. Mantenha afastado da luz solar direta para evitar amarelecimento ao longo do tempo.
Transferências
- Design de forma única
- Fabricado com responsabilidade
- Material de alta qualidade
- Testado quanto à durabilidade
MANUTENÇÃO
MANUTENÇÃO
- Limpe com um pano macio e seco.
- Para proteger o acabamento, não recomendamos o uso de limpadores domésticos ou abrasivos.
- Não exceda a potência especificada.
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The metal that holds
the light of years.
Brass is the alloy civilisations reach for when they want light to last. Door pulls polished by three generations. Naval instruments still readable a century after the ship was scrapped. Church candelabra that outlive the parish. Radilum's American Brass Collection is built on that same expectation — fixtures forged from H65 cartridge brass, finished by hand, sealed against time, and meant to be the lamp your grandchildren still recognise.
The alloy that refuses to age.
Brass is a copper-zinc alloy whose first known smelting dates to roughly 500 BCE in the eastern Mediterranean — Greek artisans alloying calamine ore with native copper to produce a metal that struck like gold but bent like a tool. By the Roman imperial period, brass was the material of coinage, military fittings, and the household lamps that lit late-republic Rome. Two and a half millennia later it remains, by an enormous margin, the most-used non-ferrous engineering alloy on the planet — and the lighting industry's quiet workhorse.
What makes brass uniquely fit for lighting is a coincidence of properties no single-element metal achieves. Copper gives it warm chromatic depth and the specific red-yellow that reads as luxurious rather than industrial. Zinc hardens the alloy enough to hold sharp turned profiles, threaded fittings, and cast detail without the softness of pure copper or the dullness of grey castings. The blend produces a metal that is workable when you need it to be — and rigid for the next century.
Of the dozen brass grades available to manufacturers, Radilum specifies H65 cartridge brass — 65% copper, 35% zinc. The name comes from its original use: military shell casings, where the metal had to absorb the shock of firing without splitting. That same toughness, applied to a lamp arm, means the part stays dimensionally stable under decades of thermal cycling, hardware tightening, and bulb replacement. Lower-copper alloys (H62, H59) are cheaper but more brittle. We do not use them.
The Radilum brass collection is built on a simple recognition that the wider lighting industry has spent the last two decades forgetting: that the cost difference between a true brass fixture and a brass-plated zinc one is measurable in years of service, not dollars at checkout.
Four properties that change everything
about how a lamp ages.
Most fixture materials are chosen for what the lamp looks like in the showroom photograph. Brass is one of the very few materials that earns its place over the next thirty years. The differences come down to four physical and aesthetic properties.
01 Mass that reads as quality
Solid H65 brass has a density of 8.5 g/cm³ — denser than steel, denser than cast iron, more than three times the weight of zinc-die-cast. A brass sconce of comparable size to a brass-plated zinc one will weigh nearly four times as much. You feel the difference the moment you lift the box. It's not marketing — it's chemistry.
02 Living finish, not a coating
Brass-plated finishes are paint that happens to be metallic. They scratch, chip, and reveal cheaper alloy underneath. Solid brass is the finish — what you see is the metal itself, polished or patinated. A scratch on plated brass is a flaw; a scratch on solid brass is a wear mark that polishes back out. This is why brass instruments survive a century of touring while plated hardware ages out of fashion in five years.
03 Naturally antimicrobial
Copper alloys are oligodynamic — meaning their surface ions disrupt microbial cell membranes on contact. The EPA registers solid brass and bronze as antimicrobial surfaces. A brass switch plate, lamp pull, or door fitting is meaningfully cleaner than the stainless steel equivalent. For high-touch fixtures (bedside lamps, hallway sconces) this matters more than the brochures usually mention.
04 A spectrum the eye reads as warm
Brass reflects light selectively across the visible spectrum — absorbing slightly more blue and green, reflecting more red and yellow. The result is that any light source mounted in or near a brass fixture acquires a faint warm wash. We design the LED specification with this shift in mind: a 2700K bulb behind brass reads as roughly 2550K to the eye, the colour of late-afternoon window light.
Six finishes. Six different conversations
between metal and room.
A single block of H65 can be finished in a dozen ways — and the finish, more than any other variable, decides the personality of the fixture. The atelier maintains six standard characters and adds custom patinas on request. Physical samples are sent before final order on every project of three fixtures or more.
- Reflectivity~85%
- SealantIncralac
- Best forFormal rooms
- Reflectivity~35%
- TextureLinear satin
- Best forMost projects
- ToneAmber to black
- VariationEach unique
- Best forVintage interiors
- Reflectivity~5%
- EdgesBrass glint
- Best forModern luxe
- SealantNone
- PatinaContinuous
- Best forHeritage homes
- PlatingSatin nickel
- BodySolid H65
- Best forCool palettes
The seventeen you can actually order
The six characters above describe how a finish behaves. What you specify is one of seventeen numbered finishes — or a custom patina grown to match a sample you send us.
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17Finishes 01–17 · brass, bronze, iron, steel, nickel, chrome, black · custom patinas matched on request
Order by number, not by name. "Antique brass," "aged brass," "burnished brass" — ask five workshops what those mean and five different metals come back. Finish 04 is the same physical sample in our studio, on the atelier bench, and on your packing list.
And because no screen renders metal honestly, we ship the physical panels before anything is committed. Hold them against your cabinetry and wall paint, at the hour you actually use the room — then send the number.
Color that is grown, not painted on.
A brass finish is not a coat of paint — it is a controlled chemical reaction on the surface of the metal itself. Where a sprayed lacquer sits on top and eventually chips, a true patina is the brass reacting with sulphur, ammonia, or acid salts until its surface ions shift colour. The tone you see is the metal, transformed. That is why a patinated Radilum fixture deepens with age instead of peeling — and why every piece is coloured by hand, one at a time.
Seven stages, ten to twelve weeks,
and nothing exists before you choose.
A Radilum fixture is not pulled from a shelf. It is tooled, cast, polished, patinated and sealed after you order it — which is why the finish can be anything you want, and why the whole thing takes twelve weeks rather than two days.
One project specialist carries the commission from brief to install. There is no handover between sales, design, production and freight; the person who answers your first email is the one who sends you the polishing photographs.
The four stages you will see photographed
Stages three through six happen in the atelier, and each one arrives in your inbox as a timestamped photograph. Not because pictures sell anything — twelve weeks is a long time to trust a workshop on the other side of the world, and a photograph is the only thing that proves what we described actually happened. They come whether or not you ask.
Steel cut from your drawing
The signed-off render becomes a parametric model, then a five-axis tool path, then a steel mould cut in our own shop. Nothing is outsourced here — a tolerance lost at this stage cannot be recovered later.
H65 — the shell-casing alloy
65% copper, 35% zinc: the brass first specified for military cartridges because it absorbs shock without splitting. Every cast piece is annealed so it will not crack a decade from now.
Colour is grown, not sprayed
One technician carries your fixture through every grit, then the patina bath. The reaction is arrested within seconds of reaching tone, and high points are rubbed back by hand. Their mark is etched on the fitting plate.
Multi-layer sealant, tested for 25 years
Three coats of imported Incralac — the conservation lacquer museums use on bronze sculpture. Accelerated-aging tests project 25+ years tarnish-free — or we skip this stage entirely, by request.
The swatch is the cheapest step in the entire commission and the only one that prevents a remake — the finish is the single variable that cannot be corrected once the fixture is built.
Five archetypes — the working portfolio.
Most projects begin from one of five standard categories. Every category scales from intimate residential to full-room hospitality; every category accepts any of the seventeen finishes; every category ships UL-listed for North America (CE/SAA available on request).
Three principles drawn from two centuries
of American interior design.
The Radilum American Brass Collection is shaped by three lineages — Federal-era neoclassical proportion, the early-20th-century Arts & Crafts movement, and the mid-century industrial vernacular. The result is a portfolio that reads as American not because it is decorated with eagles and stars, but because it carries the same restraint and structural honesty that those three traditions share.
Restraint & Proportion
From Federal-era cabinetry: symmetry, balance, restraint. Arms stepped at golden-ratio intervals. Canopies sized to match the column they descend from. Nothing is decorative for decoration's sake. The grandeur is in the proportion, not the ornament.
Structural Honesty
From the Arts & Crafts vocabulary: function expressed, never disguised. Joinery shows. Fasteners are visible and intentional. The arm of a sconce is shaped because it must support a bulb — and that shape is the design. Nothing pretends to be what it isn't.
Classic Shades
From mid-century industrial: opal milk glass, fluted glass, woven linen, perforated metal mesh. Each shade has a hundred-year vocabulary behind it. We pair the shade to the fixture's intended room — not the photographer's preference for what reads on social media.
Begin with a brief, or a finish sample.
Whether you need a single bedside sconce or a hundred matched fixtures for a hospitality build-out, the first step is the same — write to us. The project specialist who reads your email is the one you'll work with from brief to install. Every email gets a real reply within 24 hours.
Envio Rápido
4-6 semanas para entrega
Certificação da América do Norte
Descrição Geral da Certificação da América do Norte
Pagamento Seguro
Pagamento seguro com múltiplos cartões de crédito.
Measuring for Pendant Lighting
When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.
Kitchen
Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.
Dining Room
For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.
Bedroom
If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.
Tabela de tamanhos
| Tamanho |
| Área XS |
| Divisão XS |
| Tamanho | DIÂM. 2"-6" | DIÂM. 6"-12" | DIÂM. 12"-18" | DIÂM. 20"-24" | DIÂM. 24"-32" | DIÂM. 32"-40" |
|---|---|---|---|---|---|---|
| Área | 32-54 PÉS2 | 54-107 PÉS2 | 107-161 PÉS2 | 161-215 PÉS2 | 215-269 PÉS2 | 269-378 PÉS2 |
| Divisão | CASAS DE BANHO/CORREDOR | SALA DE JANTAR | COZINHA | QUARTO | SALA DE ESTAR | INTERIORES COMERCIAIS |
* Os tamanhos são americanos e expressos em polegadas.
