Ágata Ónice Tallada a Mano · Iluminación Interna · Lámpara de Mesa Escultórica
Una lámpara de mesa escultórica tallada en ágata ónice sólida — la piedra se divide en una silueta baja en forma de T con las vetas naturales del ágata corriendo horizontalmente a lo largo del cuerpo, iluminada desde el interior para que las capas cálidas de ámbar y crema de la piedra luzcan luminosas contra cualquier superficie. Cada lámpara se corta y pule a partir de un único bloque; las vetas estratificadas son el registro geológico natural de la piedra, no un acabado aplicado.
Ágata ónice tallada a mano con casquillo de lámpara oculto en el interior; el tono de las vetas, la translucidez y la silueta exacta varían de bloque a bloque. Indicada para espacios junto a camas en dormitorios principales, consolas de bibliotecas y estudios, escritorios ejecutivos y credenzas de home office, así como para mobiliario de suites de lujo hotelero en espacios de más de 5,000 pies cuadrados — para clientes visionarios atraídos por la tradición de lámparas en piedra natural en interiores contemporáneos y transicionales.
Por Qué Esta Luminaria
Ágata Ónice Tallada a Mano
Tallada a partir de un único bloque de ágata natural. Las vetas, translucidez y profundidad de color varían de bloque a bloque — cada lámpara es única.
Iluminación Interna
El casquillo E26 se sitúa en la cavidad tallada de la piedra — la luz atraviesa el ágata y se percibe como una luminancia cálida de ámbar desde el interior.
Declaración Tabletop
19″ de ancho × 16,5″ de alto — una pieza de primera categoría en una consola, mesa de noche o escritorio ejecutivo. Se percibe más como escultura que como lámpara de trabajo.
Acabado
Ágata Ónice Beige
Vetas naturales crema y ámbar a través de la piedra con pasajes de óxido más oscuro a lo largo de las fisuras naturales. Acabado estándar único — cada bloque es diferente.
Ágata ónice tallada a mano — cada lámpara es única. Las vetas, translucidez y fisuras naturales varían de bloque a bloque; tu pieza no coincidirá exactamente con las fotos.
Especifica tu tipo de enchufe al hacer el pedido. Disponible en US, UK, AU o EU —universal 110–240V. Los envíos con enchufe incorrecto requieren devolución.
Producción a pedido — plazo de producción de 30 días desde la confirmación del pedido. Cada bloque se corta y pule individualmente después del pedido; plazos acelerados disponibles bajo solicitud.
Notas del Producto
| Forma | Lámpara de mesa escultural · silueta baja en forma de T · cuerpo sólido de ágata-ónice cortado de un único bloque · portalámparas interno oculto |
| Material | Ágata ónice natural tallada a mano y pulida a mano (calcedonia bandeada semipreciosa) |
| Acabado | Ágata beige con bandas naturales crema y ámbar (acabado estándar único — variación bloque a bloque) |
| Dimensiones | An 19″ × D 9,3″ × Al 16,5″ (An 48,5 × D 23,5 × Al 42 cm) |
| Largo del cable | Cable de enchufe de 59″ (150 cm) que sale de la base |
| Fuente de Luz | 1 × E26 (EE.UU.) o portalámparas de rosca E27 mediana · oculto en cavidad tallada en piedra · bombillas no incluidas |
| Bombilla Recomendada | E26 LED, 2700K blanco cálido, ≤ 40W equivalente incandescente · una bombilla A19 transparente o de tonalidad cálida se ve mejor a través del ágata |
| Regulación | El cableado estándar no es regulable · regulable con TRIAC bajo solicitud · compatible con Lutron |
| Voltaje | CA 110–240V universal · tipo de enchufe seleccionado al finalizar la compra |
| Opciones de enchufe | US · UK · AU · EU — confirma al realizar el pedido |
| Montaje | Sobre la mesa · enchufable · no requiere conexión fija |
| Plazo de entrega | 30 días desde el pedido — hecho por encargo, cortado y pulido individualmente |
| SKU | RDT-QG-164806 |
| Ideal Para | Mesitas de noche en dormitorios principales · consolas de biblioteca y estudio · escritorios ejecutivos y credenzas de oficina en casa · carpintería de suites hoteleras de lujo · interiores residenciales contemporáneos y transicionales en propiedades de más de 5.000 metros cuadrados |
| Comercial y Proyectos | Paquetes de especificación para diseñadores, precios comerciales y coordinación de cantidades de proyecto disponibles — póngase en contacto con nuestro departamento comercial |
Instalación
- Instalación enchufable. Coloque sobre una superficie estable y nivelada, y enchufe en una toma de corriente que coincida con su tipo de enchufe seleccionado.
- Manipulación con dos manos. El ágata sólida es pesada a esta escala — desempacar y levantar solo por el cuerpo, con ambas manos, sobre una superficie acolchada.
- Confirme la carga de la superficie. Peso aproximado 12–18 kg (26–40 lbs) — bien dentro de la capacidad de consola y credenza, pero confirme si se coloca en un estante de vidrio delgado.
- Enrutamiento del cable. El cable de enchufe de 59″ sale en la base — planifique la ubicación cerca de una toma de corriente de pared o use un cable de extensión certificado adecuado para su región.
- Cuidado: limpie solo con un paño suave y seco. El ágata es porosa a lo largo de sus fisuras naturales — no use agua, disolventes ni limpiadores de piedra comerciales. Para huellas dactilares use un paño de ante seco.
Descargas
Preguntas frecuentes
¿Mi lámpara coincidirá con las fotografías? +
No — y ese es el punto. El ágata ónice es una piedra semipreciosa natural, tallada a mano desde bloques individuales. Los patrones de bandas, la translucidez, la profundidad del color, la silueta exacta de las fisuras naturales e inclusiones minerales menores difieren entre cada lámpara. La pieza que recibirá se situará dentro del mismo lenguaje visual que las fotografías (paleta crema y ámbar, silueta en forma de T, iluminación de fondo interna) pero será visiblemente distinta. Este es el carácter del ágata natural; no es un defecto ni motivo de devolución.
¿Cuál es el tiempo de entrega? +
30 días desde la confirmación del pedido. Cada lámpara se fabrica por encargo — el bloque de ágata se selecciona, corta, pule y cablifica individualmente después de realizar su pedido. Los plazos expeditos pueden estar disponibles para proyectos comerciales y hoteleros con fechas límite firmes; póngase en contacto con nosotros antes de hacer su pedido con su fecha requerida.
¿Qué bombillo debo usar? +
1 × bombilla de rosca mediana E26 (estándar EE.UU.), proporcionada por usted. Recomendamos E26 LED a 2700K blanco cálido, ≤ 40W equivalente incandescente. Una bombilla A19 transparente o de tonalidad cálida se ve mejor a través del ágata — el filamento cálido potencia los tonos ámbar de la piedra. Las bombillas frosted o blanco frío aplanan el brillo interno y no se recomiendan. No supere 40W equivalente — la piedra puede calentarse bajo vataje sostenido más alto.
¿Cómo limpio y cuido el ágata natural? +
Limpie solo con un paño suave de microfibra seco o de ante. No use agua, limpiador de vidrio, amoníaco, vinagre, alcohol ni limpiadores de piedra comerciales — el ágata es porosa a lo largo de sus fisuras naturales y puede absorber líquido en la piedra, causando manchas permanentes o decoloración. Para huellas dactilares use un paño seco. Mantenga la lámpara lejos de la luz solar directa (los rayos UV pueden cambiar el tono ámbar con los años) y lejos de habitaciones con alta humedad.
¿Es regulable? ¿Compatible con Lutron? +
El cableado estándar no es regulable. El cableado regulable TRIAC está disponible como construcción personalizada — especifique al contactarnos. Compatible con atenuadores Lutron Caséta, Diva y de fase directa de pared cuando se usa con una toma de corriente conmutada y bombillas LED regulables. Consulte nuestra guía de protocolos de atenuación.
¿Apta para proyectos hoteleros y comerciales? +
Sí — grado hotelero. La construcción de ágata ónice tallada a mano es ideal para suites hoteleras de lujo y suites presidenciales, salones de clubs privados y proyectos residenciales contemporáneos. Debido a que cada lámpara se corta de un bloque único, los pedidos por cantidad de proyecto se coordinan para una paleta crema y ámbar coincidente dentro del lote — el patrón de bandas aún varía de pieza a pieza. Póngase en contacto con nuestro equipo comercial en la etapa más temprana del proyecto para la priorización de plazos de entrega.
- Unique shape design
- Made responsibly
- High quality material
- Tested for durability
CARE
CARE
- Dust with a soft, dry cloth.
- To protect finish, we do not recommend the use of household cleaners or abrasives.
- Do not exceed specified wattage.
SHIPPING & RETURN POLICY
SHIPPING & RETURN POLICY
Enjoy free shipping on all products. With Front Door Delivery, your item ships from our Distribution Center via UPS within 2–3 business days and arrives at your home in 4–6 weeks. Eligible items may be returned within 30 days of receipt. Made-to-order items are not eligible for return.
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The stone that holds
the light.
For eight thousand years, jade has been the material we reserve for what matters most — ritual vessels, imperial seals, the body's most intimate ornaments. Radilum brings that same gravity into lighting. Each fixture in our jade collection is engineered around a single idea: that a lamp should not project light against a room, but appear to contain it.
A stone that refuses to be ordinary.
Jade is the colloquial name for two distinct minerals — nephrite, a calcium magnesium silicate prized in China for over eighty centuries, and jadeite, a sodium aluminium silicate that arrived later from Burma and dominates the modern luxury market. Both share a property no other stone offers in the same measure: a microcrystalline interlocking grain so dense that light, instead of bouncing off the surface, sinks into the stone before re-emerging as a slow, uniform glow.
This is the technical secret behind every fixture on this page. The translucency of fine jade is not a marketing word — it is a measurable optical phenomenon called sub-surface scattering. Photons enter the surface, refract through millions of interlocking microfibres, and exit as diffuse light. There are no hot spots. No glare. No engineered diffuser stands between the LED and your eye. The material itself is the diffuser, and it has been refining that role since the Hongshan culture began carving it in 6,000 BCE.
The Confucian scholar Xu Shen wrote in the second century that jade possesses five virtues: humanity in its warmth, righteousness in its translucency, wisdom in its tone when struck, courage in its refusal to break, and integrity in its sharp edges that do not cut. Two millennia later, those qualities still describe what we look for when we select a block.
The Radilum jade collection is built on the simple recognition that a material with this kind of cultural gravity, this kind of optical character, and this kind of physical permanence has never properly entered the world of contemporary lighting. The fixtures we make are an attempt to correct that.
Four properties that change everything about how a room is lit.
Most lamp materials are chosen for the appearance of the lamp when it is off. Jade is one of the very few that earns its place in the room twice — once as object, and again as light source. The differences come down to four physical properties.
01 Translucent without being thin
Most translucent stones — alabaster, onyx, selenite — achieve their glow by being cut thin. Jade does not need to be. A 6 mm panel of fine Hetian white jade transmits roughly 15% to 22% of incident light, depending on grain orientation. The same panel weighs nearly twice what alabaster of equivalent thickness would. The result is a fixture that looks substantial when off and softly luminous when on — without the fragility that comes with thinner stones.
02 A natural warm-shift filter
Jade selectively absorbs the cooler end of the visible spectrum. A 2700K LED behind a panel of nephrite reaches the eye at roughly 2400K to 2500K — the colour temperature of late-afternoon sun, the colour of incandescent at half power. We design every Radilum jade fixture around this shift, choosing LEDs whose native temperature the stone will pull into the warm zone our customers actually want for living spaces.
03 No two pieces are identical
Every block carries the geological signature of the basin it was cut from — pale clouds, mineral veining, occasional iron pinpoints in the matrix. We grade for these signatures rather than against them. A Radilum Certificate of Origin ships with every fixture, identifying the basin, the block reference, and the technician who polished it. Two clients ordering the same model receive two distinct objects. This is by design.
04 A presence the room can feel even in the dark
Jade is dense — roughly 2.95 g/cm³ for nephrite, 3.30 for jadeite — and slow to change temperature. It feels cool to the hand. It absorbs ambient sound. A jade pendant hanging over a dining table reads as a piece of architecture more than a light source. The lamp is doing two jobs in one.
Six origins. Six different kinds of light.
We do not stock a single jade and call it the brand. The atelier maintains an active library of six principal jade types from four countries — each chosen for the way it transmits, holds, and tints the light passing through it. When a project begins, we send a sample box; the jade is selected before the fixture is.
- BodyIvory
- GlowCream-Warm
- Density2.95 g/cm³
- BodyIvory + Caramel
- GlowHoneyed Amber
- VeiningEach unique
- BodyForest Green
- GlowCool Olive
- PatternBlack flecking
- BodyEmerald / Lavender
- GlowSaturated
- Density3.30 g/cm³
- BodyPale Celadon
- GlowCool Linen
- Best forLarge panels
- BodyCool White
- GlowLinen
- Best forHospitality runs
Beyond the six above, the atelier sources rare material on request — Khotan mutton-fat, Manaoshan red, Guatemalan blue, antique recovered jade. Reach out if a project requires something specific.
Six stages, twelve weeks, one fixture.
A Radilum jade lamp begins life as a 200 kg raw block in a Xinjiang quarry and ends, twelve weeks later, on the ceiling of a project we have spent months understanding. The path between is broken into six controlled stages, each documented with timestamped photographs that ship to the client on completion.
Curated selection at the quarry.
Our material lead spends fourteen days a quarter at the Hetian and Mogok markets. Roughly one block in twelve passes inspection — the rest carry hairline fractures, colour drift, or matrix instability we cannot accept. Selected blocks are scanned, weighed, and matched to specific upcoming projects before they leave the quarry yard.
Light-table inspection & grain mapping.
Each block is sliced into 50 mm test wafers and back-lit on a calibrated light table. We measure transmission percentage, colour-temperature shift, and grain orientation — then map the block in 3D so that subsequent cuts respect the fibre direction. Mis-aligned cuts are the most common cause of weakness in jade objects; we eliminate them at this stage.
Five-axis water-jet, ±0.05 mm tolerance.
The graded block is mounted on a five-axis CNC water-jet station — abrasive garnet suspended in 4,000-bar water. The water cuts without heat, which means the stone never develops the micro-fractures that conventional diamond saws can introduce. Roughing brings the block to within 2 mm of final geometry.
Diamond-tipped sculpting to final form.
Diamond-tipped milling burrs reduce the rough block to within 0.1 mm of the engineering drawing. Curves are interpolated point-by-point. Internal cavities for LED arrays and cable channels are routed at this stage — never drilled later, which preserves the structural grain.
Six grits, two days, one technician.
The signature Radilum surface is a six-stage hand polish — grits 400, 800, 1200, 2000, 5000, and a final felt-wheel buffing with cerium oxide. The whole sequence takes a single technician roughly two working days per fixture. The technician's mark is etched on the fitting.
LED selection matched to your stone.
Because jade selectively warms colour temperature, we cannot specify the LED until the actual block is polished. Each finished panel is back-lit with a tunable test array; we measure the emergent colour temperature and match to a production LED that lands at the target — typically 2700K, sometimes 3000K for hospitality, occasionally 2400K for residential primary suites. The fixture ships with the LED already paired.
Four axes on which any of our work can be modified.
Every fixture in the catalogue is a starting point, not a destination. The atelier handles modifications across four parallel axes — and most projects touch at least two of them. There is no surcharge for the kinds of modifications listed below; we treat them as a normal part of a serious lighting brief.
Form & geometry.
If you can sketch it, the CNC cell can build it — sculptural, geometric, kinetic. Send a hand drawing, a 3D file, an architectural reference, or a mood board. We respond with a polished render in 7–10 working days, no commitment.
Dimensions & scale.
From a residential bedside lamp at 380 mm to a hospitality stairwell installation at 6 m. We work to your architectural dimensions — ceiling height, sight lines, view corridors — not to a fixed catalogue range.
Material selection.
Six jade types in the standard library, with rare material on request. We send physical samples — a 100 mm test panel of every candidate jade — for the project to evaluate against actual room finishes before committing to a material.
Integrated lighting.
Fixed colour temperature (2400K / 2700K / 3000K), tunable white (1800–3500K), full-spectrum tunable RGBW, or smart-home integration via Casambi, Lutron, KNX, or DALI. Driver and protocol specified per project.
Beyond the four standard axes, we customise hardware finish (six brass treatments, blackened or polished steel, custom plating), base materials (travertine, marble, walnut, oxidised bronze), and rigging hardware (cord, chain, rigid stem). Discuss specifics with your project lead.
Three contexts in which jade lighting earns its place.
The Radilum jade collection is overrepresented in three project types — not because it is exclusive to them, but because the material's specific qualities pay back hardest in these environments. Below, what we have learned from the projects we have shipped to.
From first email to final install — one specialist, six weeks.
Every Radilum jade project is led by one project specialist from the day the brief arrives. There is no handover between sales and production. The same person who answers your first email tracks the polishing photos, coordinates the freight forwarder, and follows up on the install. The full timeline below typically runs six to twelve weeks depending on project complexity.
Begin with a brief,
or with a sample box.
Whether you have a single pendant in mind or a whole-house lighting plan, the first step is the same — write to us. The project specialist who reads your email will be the one you work with from the brief through the install. Every email gets a real reply within 24 hours.
Fast Shipping
4-6 weeks for delivery
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Measuring for Pendant Lighting
When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.
Kitchen
Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.
Dining Room
For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.
Bedroom
If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.
Size chart
| Size |
| area XS |
| Room XS |
| Size | DIA 2"-6" | DIA 6"-12" | DIA 12"-18" | DIA 20"-24" | DIA 24"-32" | DIA 32"-40" |
|---|---|---|---|---|---|---|
| area | 32-54 FT | 54-107 FT | 107-161 FT | 161-215 FT | 215-269 FT | 269-378 FT |
| Room | BATHROOM/AISLE | DINING ROOM | KITCHEN | BEDROOM | LIVING ROOM | COMMERCIAL INTERIOR |
* Sizes are American and expressed in inches.
