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Radilum

Aldean Chandelier

SKU: RDC-144606-01
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$938.00
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Botanical Chandelier · Brass · White Ceramic Shades · 9 / 12 / 18 Heads · E12 / E14

Multiple clusters of brass stems branch outward and upward from the central hub — each cluster a separate group of arms that diverges from its neighbors, the overall silhouette referencing the loose, radiating geometry of a dill plant in flower. At the tip of each stem, a hand-thrown white ceramic shade sits open-topped, directing the E12 source both downward through the ceramic body and upward through the open crown. That upward component is the Aldean’s most distinctive quality: when lit, the fixture casts branching shadow patterns onto the ceiling above it — the brass stem geometry projected as shadow, the fixture doubling its presence in the room.

Three configurations — 9, 12, and 18 heads — scale the density of the branching clusters while maintaining the same design language. All three include a 50 cm hanging chain adjustable at installation. The white ceramic shades and polished brass framework are fixed across all sizes — the choice is purely one of scale.


Branching Cluster Arms

Multiple stem clusters diverge from the central hub — the botanical branching geometry creates a silhouette that reads differently from every angle.

Handcrafted Ceramic Shades

Each shade is individually hand-thrown from ceramics — slight variation in form and surface between pieces is intrinsic to the handcraft process.

Ceiling Shadow Effect

Open-topped ceramic shades direct light upward — the brass stem geometry is projected as branching shadow patterns on the ceiling when the fixture is lit.


9 Heads ∅ 67 × H 47 cm ∅ 26.4″ × H 18.5″ Chain 50 cm / 19.7″ Dining tables up to 150 cm · Bedrooms · Boutique spaces
12 Heads ∅ 78 × H 55 cm ∅ 30.7″ × H 21.7″ Chain 50 cm / 19.7″ Standard dining rooms · Open-plan living areas
18 Heads ∅ 89 × H 67 cm ∅ 35″ × H 26.4″ Chain 50 cm / 19.7″ Grand dining rooms · Foyers · Statement installations

Bulbs are not included. Each arm uses one E12 (US) or E14 (international) candelabra socket. We recommend 2–4W LED E12/E14 candelabra bulbs at 2700K warm white. The warm tone complements the brass framework and enhances the ceiling shadow effect — the warm light source creates more defined shadows than cool-white bulbs. A small globe or cylindrical LED works well inside the open ceramic shade.


SKU RDC-144606
Configurations 9-head · 12-head · 18-head
Dimensions — 9H ∅ 67 × H 47 cm · ∅ 26.4″ × H 18.5″
Dimensions — 12H ∅ 78 × H 55 cm · ∅ 30.7″ × H 21.7″
Dimensions — 18H ∅ 89 × H 67 cm · ∅ 35″ × H 26.4″
Hanging Chain 50 cm / 19.7″ (all configurations)
Body Finish Brass (fixed)
Shades White ceramic · Handcrafted · Open-top design
Materials Brass lamp body · Ceramic lampshades
Socket E12 / E14 · Bulbs not included · User-replaceable
Voltage AC 110–240V · Universal
Mounting Hardwired ceiling canopy · Standard junction box
Best For Dining rooms · Living rooms · Foyers · Boutique hospitality · Botanical and artisanal interiors

From the Community — real customer installs. Tap any card to open the full post on Instagram.


Which size suits my dining room? +

The 9-head (∅ 67 cm) suits dining tables up to 150 cm and smaller dining rooms where a more compact chandelier reads as appropriate in scale. The 12-head (∅ 78 cm) covers standard 4–6 seat dining tables (150–180 cm) and is the most versatile option for open-plan living areas. The 18-head (∅ 89 cm) is for grand dining rooms, large tables (180–210 cm), and foyers where maximum visual density and ceiling shadow coverage is the goal. As head count increases, the branching silhouette becomes denser and the ceiling shadow effect is more pronounced.

How does the ceiling shadow effect work? +

The white ceramic shades are open at the top as well as the bottom — the E12/E14 bulb inside each shade emits light both downward (through the ceramic body as a diffused glow) and upward (directly out of the open crown). The upward light hits the brass stems and projects their branching geometry as shadow patterns on the ceiling above the fixture. The effect is most visible in dim conditions — the lower the ambient light level, the more defined the shadow patterns become. Warm-white bulbs (2700K) produce the warmest, most atmospheric version of this effect.

Are the ceramic shades fragile? +

Kiln-fired ceramic is durable under normal ceiling conditions but will chip or crack if struck directly against a hard surface during installation. Handle with care when assembling — avoid knocking individual shades against the brass stems or against each other. Once installed, the shades are stationary and not subject to daily handling. Because they are handcrafted, slight differences in shape, surface texture, and shade tone between individual pieces are normal and inherent to the hand-throwing process.

Is it dimmable? +

Yes, when fitted with dimmable E12/E14 LED candelabra bulbs and a compatible TRIAC wall dimmer switch (both sold separately). Specify “dimmable” when purchasing LED bulbs and confirm your dimmer is rated for LED loads. Dimming the Aldean to 30–50% typically produces the best ceiling shadow effect — the reduced ambient light makes the upward-projected branch shadows more visible and dramatic against the ceiling surface.

  • Unique shape design
  • Made responsibly
  • High quality material
  • Tested for durability

CARE

  • Dust with a soft, dry cloth.
  • To protect finish, we do not recommend the use of household cleaners or abrasives.
  • Do not exceed specified wattage.

SHIPPING & RETURN POLICY

Enjoy free shipping on all products. With Front Door Delivery, your item ships from our Distribution Center via UPS within 2–3 business days and arrives at your home in 4–6 weeks. Eligible items may be returned within 30 days of receipt. Made-to-order items are not eligible for return.

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Radilum · Céramique
Collection · Porcelaine en Fleur · Hand-Sculpted
— for the corner of the world you keep soft —

Meet the romancethat never wilts.

Fresh flowers last a week. These were shaped by hand and fired in flame to bloom above your table for decades — a bouquet of porcelain and aged brass that opens, every evening, the moment you reach for the switch.

Ceramic Rose Vine Chandelier glowing over a dusk-lit dining table

In a hurried world, keep one corner where time is allowed to slow.

1200°Ckiln-fired
True Porcelain, Tempered in Flame
By Handevery petal
Sculpted, Never Molded Alike
Agedbrass
Elegance That Time Deepens
§ 01 · The Artisan Story

A poem written in clay and flame.

Three materials, three temperaments — soft earth, patient fire, and metal that grows lovelier with age. Together they make a flower that time cannot touch.

Hand-sculpted porcelain petal close-up
The Bloom
« la porcelaine »
Hand-Sculpted Porcelain.
Each petal begins as a pinch of soft clay, curled and thinned between an artisan's fingers until its edge turns nearly translucent. No two petals repeat — because no two touches do.
Aged brass stem and leaf detail
The Stem
« le laiton »
Brass, Softened by Time.
The stems and leaves are brass, hand-burnished to an antique patina — the quiet glow of a family heirloom rather than the glare of something new. Elegance that deepens as the years pass.
Faceted crystal drop catching warm lamplight
The Dew
« le cristal »
Crystal, Like Morning Dew.
Faceted crystal drops hang among the blooms like dew that never dries. By day a quiet sparkle; by night they scatter the lamplight into tiny drifting rainbows.
§ 02 · The Making

From soft earth to eternal bloom, in five patient steps.

Most lamps are assembled in minutes. Ours pass through human hands and a wall of fire — this is the whole journey, nothing skipped.

Wedging soft porcelain clay by hand
i
Étape I « la terre »

Waking the clay

Fine porcelain clay is wedged and kneaded by hand until every air bubble is pressed out — the warmth of the maker's palms is, quite literally, worked into the material.
Fingertips sculpting a porcelain petal
ii
Étape II « les pétales »

Sculpting the petals

The heart of it. Petal by petal, an artisan pinches, curls, and feathers the clay — a single blossom can take dozens of individual petals, each one shaped, judged, and set by eye alone.
Porcelain blooms fired in the glowing kiln
iii
Étape III « le feu »

The trial of fire

The blooms enter the kiln and are fired at 1200°C — hot enough to turn soft earth into true porcelain. What survives the fire will not warp, fade, or wilt; it is, in the oldest sense, finished.
Hand-glazing the blush on fired petals
iv
Étape IV « le fard »

The blush

Each fired bloom is glazed and tinted by brush — a wash of cream, a blush at the petal's tip — the delicate gradients that make the flowers look freshly picked rather than manufactured.
Assembling blooms onto aged brass branches
v
Étape V « le bouquet »

Gathering the bouquet

Blooms, leaves, and crystal drops are arranged onto the aged-brass branches one by one — composed like a florist's arrangement, then wired, tested, and checked before the journey to you.
— et enfin, la couleur —

One bloom, three blushes.

Every design in the collection is hand-tinted in one of three glazes — the brush decides the mood, you decide the room.

Porcelain white glaze sample
« Blanc »
Porcelain White
The classic — pure, quietly luminous, at home in any palette.
Blush pink glaze sample
« Rose »
Blush Pink
The signature — a soft rose blush that turns golden at dusk.
Rose red glaze sample
« Rouge »
Rose Red
The statement — a deep romantic red, for rooms with a heartbeat.

Choose your colour on each product page — the shape stays, the blush is yours.

— et la tige, en laiton —

The seventeen you can actually order.

The bloom is glazed by brush; the branch beneath it is finished the same careful way — seventeen numbered metal finishes, from bright brass to blackened iron, so the stem matches the room the flowers will live in.

Finishes 01–17 · brass, bronze, iron, steel, nickel, chrome, black · the collection's signature « Laiton Vieilli » (03, Antiqued Brass) shown throughout this page

Specifying a Finish

Order by number, not by name. "Antique brass," "aged brass," "burnished brass" — ask five workshops what those mean and five different metals come back. Finish 03 is the same physical sample on the atelier bench and on your packing list.

And because no screen renders metal honestly, we ship the physical swatch before anything is committed. Hold it beside the porcelain glaze you've chosen, at the hour you actually use the room — then send the number.

Choose your stem finish on each product page — the bloom stays yours, the metal is now, too.

§ 03 · By Day
lights off —

A sculpture that happens to be a lamp.

Switched off, it earns its place on looks alone — a still-life relief of porcelain blooms and brass leaves that sits as calmly against floral wallpaper as against plain plaster. Guests will assume it's art first, and they won't be wrong.

Rosalie floral chandelier unlit in soft daylight

Daytime: a quiet porcelain still-life

Meet « Rosalie » — the chandelier in these photos →
§ 03 · By Night
lights on —

The room becomes an enchanted garden.

Then evening comes. Light pours through the frosted petals and catches every crystal drop, and the whole bouquet begins to glow from within — walls washed in warm bloom-shadows, the room suddenly somewhere out of a storybook.

Rosalie floral chandelier glowing at night

Nighttime: the fairy-tale forest, on demand

Meet « Rosalie » — the chandelier in these photos →
§ 04 · The Collection

One evening, three rooms in bloom.

Follow the light through the house — dinner beneath the chandelier, roses down the hallway, and a last bloom glowing at your pillow. Open each window and step inside.

§ 05 · The Promise

A gift worth handing down.

Porcelain deserves to be treated like porcelain — from our workbench to your doorstep, here is how we keep that promise.

i
Inspected out of the kiln
Every bloom is examined against the light after firing — petals, glaze, and fit — before it is allowed onto a branch.
ii
Wrapped petal by petal
Custom-molded foam, blooms individually cushioned, double-boxed — packed the way museums move ceramics.
iii
Cared for after arrival
If anything arrives less than perfect, photograph it and write to us — our support team will make it right.
An Honest Note
« une lettre de l'atelier »

No two of our petals curl quite the same way — each was shaped by fingertips, not a mold. The blush of the glaze shifts a little from bloom to bloom, because the brush loads a little differently every time.

None of these is a flaw. They are the signature of the hands that made yours — the one thing a factory line can never copy.

the atelier
Rosalie floral pendant — porcelain blooms and crystal drops
« cueillez votre jardin de lumière »

Some flowers are given.
This one is kept.

A porcelain bouquet says what cut flowers say — and then keeps saying it, year after year.

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Measuring for Pendant Lighting

When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.

Kitchen

Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.

Dining Room

For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.

Bedroom

If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.