Domo de Latón · Vidrio Opalino o Alabastro · Semi Empotrado
Una cúpula de latón acabada a mano envuelve un globo blanco opalino liso — geometría mid-century limpia que se ve tanto vintage como contemporánea. El perfil semiempotrado mantiene los techos sin desorden mientras deja que la luminaria se destaque del plano. Una declaración discreta y brillante para pasillos, dormitorios, cocinas y entradas.
Nota importante: Cada pieza presenta veteado natural único.
Dimensiones
Acabado de Metal — Elige al Finalizar la Compra
Latón cálido acabado a mano — se suaviza y profundiza con el tiempo.
Carbón mate — contraste gráfico con la pantalla blanca.
Material de Pantalla — Elige en el Carrito
Vidrio uniforme y suave — difusión moderna limpia con un brillo uniforme.
Piedra natural con veteado sutil — carácter cálido, orgánico y único.
Ambas pantallas son blancas pero se ven muy diferentes — el vidrio opalino es limpio y uniforme; el alabastro es piedra natural con veteado visible y variación tonal entre piezas.
Materiales y Confección
Domo de Latón
Dosel de latón acabado a mano — la silueta de mediados de siglo que lo define.
Dos Opciones de Pantalla
Elige en el carrito — Vidrio Opal Blanco para una difusión limpia, o Piedra Alabastro Blanco para una calidez natural y profundidad.
Ángulo Ajustable
El cuerpo de la lámpara se inclina para dirigir la luz exactamente donde la necesitas.
Notas del Producto
| Dimensiones de la lámpara | D 25.5 × H 23 cm / ∅ 10″ × H 9.1″ |
| Diámetro de la pantalla | 12 cm / 4.7″ |
| Diámetro del dosel | 12 cm / 4.7″ |
| peso | 2 kg / 4.4 lbs |
| Material del cuerpo | Latón acabado a mano |
| Material de la pantalla | Vidrio blanco o Alabastro blanco |
| Acabados metálicos | Latón Antiguo · Negro · Color Níquel |
| Tipo de portalámparas | G9 |
| Bombilla incluida | No — se vende por separado |
| Tipo de montaje | Semi empotrado · Cableado fijo |
| SKU | RDC-194812 |
Instalación
- Instalación de techo cableada — se recomienda un electricista autorizado.
- Se adapta a una caja de empalme de techo estándar redonda. Todo el hardware de montaje está incluido.
- El dosel de 12 cm cubre completamente la huella de una caja de conexión estándar.
- Diseñado para techos planos. No recomendado para techos inclinados o abovedados.
- Adecuado para ubicaciones interiores secas y húmedas. No clasificado para zonas mojadas/duchas.
Preguntas frecuentes
¿Cómo elijo entre vidrio opal y alabastro? +
Vidrio Opal Blanco es la opción limpia y moderna — color uniforme, superficie suave, difusión homogénea. Ideal para interiores contemporáneos y espacios donde deseas una luz consistente y neutra. Piedra Alabastro Blanco es la opción natural y con carácter — cada pieza tiene vetas únicas y un gradiente tonal sutil, y la piedra brilla desde dentro cuando se ilumina. Ideal para interiores cálidos y reflexivos donde deseas que la luminaria sea un detalle tranquilo y conversacional. Ambas son blancas a primera vista, pero se leen muy diferente en persona.
¿Qué bombilla recomienda? +
Un LED G9 de 3–6W en blanco cálido (2700K) proporciona la luz más suave y favorecedora a través del vidrio opal y las pantallas de alabastro. La luminaria acepta hasta 60W por bombilla, así que la mayoría de LEDs G9 funcionan cómodamente. Evita bombillas blanco frío o luz de día — pueden lucir clínicas contra la pantalla blanca y aplanar las vetas naturales del alabastro.
¿Es esta lámpara regulable? +
La luminaria en sí es compatible con atenuación. Para atenuarla, empareja un LED G9 atenuable con un interruptor dimmer compatible TRIAC (ej. Lutron, Leviton Decora). Las bombillas estándar no atenuables funcionarán solo a brillo máximo.
¿Qué altura de techo le conviene? +
Con una caída total de 19 cm, la luminaria se sitúa cerca del techo y es adecuada para la mayoría de espacios estándar de 2.4 m (8 pies) hacia arriba. Como es semi empotrada en lugar de colgante, no colgará lo suficientemente bajo como para parecer intrusiva en pasillos, dormitorios o cocinas.
¿Puedo instalarla en un techo inclinado? +
Recomendamos la instalación solo en techos planos. En un techo inclinado o abovedado, el dosel no estará completamente plano y la luminaria podría no montarse de forma segura. Elige una luminaria colgante o con adaptador para techos inclinados.
¿Es seguro usarlo en un baño? +
Sí — para zonas de baño secas y húmedas (ej. el techo sobre un lavabo o espejo, lejos del contacto directo con agua). No está clasificado para instalación directamente encima de una ducha o bañera donde el vapor y el contacto constante del agua son continuos.
¿Cómo limpio la pantalla? +
Espera a que la bombilla esté fría, luego elige por material: Vidrio opal — limpia con un paño suave y sin pelusa; para marcas difíciles, usa un paño húmedo con agua jabonosa suave y seca completamente. Piedra alabastro — desempolva solo con un paño suave y seco; evita agua, jabón y cualquier limpiador, ya que el alabastro es poroso y puede absorber humedad y mancharse. Evita limpiadores abrasivos en el acabado de latón.
Descargas
- Unique shape design
- Made responsibly
- High quality material
- Tested for durability
CARE
CARE
- Dust with a soft, dry cloth.
- To protect finish, we do not recommend the use of household cleaners or abrasives.
- Do not exceed specified wattage.
SHIPPING & RETURN POLICY
SHIPPING & RETURN POLICY
Enjoy free shipping on all products. With Front Door Delivery, your item ships from our Distribution Center via UPS within 2–3 business days and arrives at your home in 4–6 weeks. Eligible items may be returned within 30 days of receipt. Made-to-order items are not eligible for return.
10%
OFF
Use this code at checkout to enjoy a 10% discount on your entire purchase.
The metal that holds
the light of years.
Brass is the alloy civilisations reach for when they want light to last. Door pulls polished by three generations. Naval instruments still readable a century after the ship was scrapped. Church candelabra that outlive the parish. Radilum's American Brass Collection is built on that same expectation — fixtures forged from H65 cartridge brass, finished by hand, sealed against time, and meant to be the lamp your grandchildren still recognise.
The alloy that refuses to age.
Brass is a copper-zinc alloy whose first known smelting dates to roughly 500 BCE in the eastern Mediterranean — Greek artisans alloying calamine ore with native copper to produce a metal that struck like gold but bent like a tool. By the Roman imperial period, brass was the material of coinage, military fittings, and the household lamps that lit late-republic Rome. Two and a half millennia later it remains, by an enormous margin, the most-used non-ferrous engineering alloy on the planet — and the lighting industry's quiet workhorse.
What makes brass uniquely fit for lighting is a coincidence of properties no single-element metal achieves. Copper gives it warm chromatic depth and the specific red-yellow that reads as luxurious rather than industrial. Zinc hardens the alloy enough to hold sharp turned profiles, threaded fittings, and cast detail without the softness of pure copper or the dullness of grey castings. The blend produces a metal that is workable when you need it to be — and rigid for the next century.
Of the dozen brass grades available to manufacturers, Radilum specifies H65 cartridge brass — 65% copper, 35% zinc. The name comes from its original use: military shell casings, where the metal had to absorb the shock of firing without splitting. That same toughness, applied to a lamp arm, means the part stays dimensionally stable under decades of thermal cycling, hardware tightening, and bulb replacement. Lower-copper alloys (H62, H59) are cheaper but more brittle. We do not use them.
The Radilum brass collection is built on a simple recognition that the wider lighting industry has spent the last two decades forgetting: that the cost difference between a true brass fixture and a brass-plated zinc one is measurable in years of service, not dollars at checkout.
Four properties that change everything
about how a lamp ages.
Most fixture materials are chosen for what the lamp looks like in the showroom photograph. Brass is one of the very few materials that earns its place over the next thirty years. The differences come down to four physical and aesthetic properties.
01 Mass that reads as quality
Solid H65 brass has a density of 8.5 g/cm³ — denser than steel, denser than cast iron, more than three times the weight of zinc-die-cast. A brass sconce of comparable size to a brass-plated zinc one will weigh nearly four times as much. You feel the difference the moment you lift the box. It's not marketing — it's chemistry.
02 Living finish, not a coating
Brass-plated finishes are paint that happens to be metallic. They scratch, chip, and reveal cheaper alloy underneath. Solid brass is the finish — what you see is the metal itself, polished or patinated. A scratch on plated brass is a flaw; a scratch on solid brass is a wear mark that polishes back out. This is why brass instruments survive a century of touring while plated hardware ages out of fashion in five years.
03 Naturally antimicrobial
Copper alloys are oligodynamic — meaning their surface ions disrupt microbial cell membranes on contact. The EPA registers solid brass and bronze as antimicrobial surfaces. A brass switch plate, lamp pull, or door fitting is meaningfully cleaner than the stainless steel equivalent. For high-touch fixtures (bedside lamps, hallway sconces) this matters more than the brochures usually mention.
04 A spectrum the eye reads as warm
Brass reflects light selectively across the visible spectrum — absorbing slightly more blue and green, reflecting more red and yellow. The result is that any light source mounted in or near a brass fixture acquires a faint warm wash. We design the LED specification with this shift in mind: a 2700K bulb behind brass reads as roughly 2550K to the eye, the colour of late-afternoon window light.
Six finishes. Six different conversations
between metal and room.
A single block of H65 can be finished in a dozen ways — and the finish, more than any other variable, decides the personality of the fixture. The atelier maintains six standard characters and adds custom patinas on request. Physical samples are sent before final order on every project of three fixtures or more.
- Reflectivity~85%
- SealantIncralac
- Best forFormal rooms
- Reflectivity~35%
- TextureLinear satin
- Best forMost projects
- ToneAmber to black
- VariationEach unique
- Best forVintage interiors
- Reflectivity~5%
- EdgesBrass glint
- Best forModern luxe
- SealantNone
- PatinaContinuous
- Best forHeritage homes
- PlatingSatin nickel
- BodySolid H65
- Best forCool palettes
The seventeen you can actually order
The six characters above describe how a finish behaves. What you specify is one of seventeen numbered finishes — or a custom patina grown to match a sample you send us.
01
02
03
04
05
06
07
08
09
10
11
12
13
14
15
16
17Finishes 01–17 · brass, bronze, iron, steel, nickel, chrome, black · custom patinas matched on request
Order by number, not by name. "Antique brass," "aged brass," "burnished brass" — ask five workshops what those mean and five different metals come back. Finish 04 is the same physical sample in our studio, on the atelier bench, and on your packing list.
And because no screen renders metal honestly, we ship the physical panels before anything is committed. Hold them against your cabinetry and wall paint, at the hour you actually use the room — then send the number.
Color that is grown, not painted on.
A brass finish is not a coat of paint — it is a controlled chemical reaction on the surface of the metal itself. Where a sprayed lacquer sits on top and eventually chips, a true patina is the brass reacting with sulphur, ammonia, or acid salts until its surface ions shift colour. The tone you see is the metal, transformed. That is why a patinated Radilum fixture deepens with age instead of peeling — and why every piece is coloured by hand, one at a time.
Seven stages, ten to twelve weeks,
and nothing exists before you choose.
A Radilum fixture is not pulled from a shelf. It is tooled, cast, polished, patinated and sealed after you order it — which is why the finish can be anything you want, and why the whole thing takes twelve weeks rather than two days.
One project specialist carries the commission from brief to install. There is no handover between sales, design, production and freight; the person who answers your first email is the one who sends you the polishing photographs.
The four stages you will see photographed
Stages three through six happen in the atelier, and each one arrives in your inbox as a timestamped photograph. Not because pictures sell anything — twelve weeks is a long time to trust a workshop on the other side of the world, and a photograph is the only thing that proves what we described actually happened. They come whether or not you ask.
Steel cut from your drawing
The signed-off render becomes a parametric model, then a five-axis tool path, then a steel mould cut in our own shop. Nothing is outsourced here — a tolerance lost at this stage cannot be recovered later.
H65 — the shell-casing alloy
65% copper, 35% zinc: the brass first specified for military cartridges because it absorbs shock without splitting. Every cast piece is annealed so it will not crack a decade from now.
Colour is grown, not sprayed
One technician carries your fixture through every grit, then the patina bath. The reaction is arrested within seconds of reaching tone, and high points are rubbed back by hand. Their mark is etched on the fitting plate.
Multi-layer sealant, tested for 25 years
Three coats of imported Incralac — the conservation lacquer museums use on bronze sculpture. Accelerated-aging tests project 25+ years tarnish-free — or we skip this stage entirely, by request.
The swatch is the cheapest step in the entire commission and the only one that prevents a remake — the finish is the single variable that cannot be corrected once the fixture is built.
Five archetypes — the working portfolio.
Most projects begin from one of five standard categories. Every category scales from intimate residential to full-room hospitality; every category accepts any of the seventeen finishes; every category ships UL-listed for North America (CE/SAA available on request).
Three principles drawn from two centuries
of American interior design.
The Radilum American Brass Collection is shaped by three lineages — Federal-era neoclassical proportion, the early-20th-century Arts & Crafts movement, and the mid-century industrial vernacular. The result is a portfolio that reads as American not because it is decorated with eagles and stars, but because it carries the same restraint and structural honesty that those three traditions share.
Restraint & Proportion
From Federal-era cabinetry: symmetry, balance, restraint. Arms stepped at golden-ratio intervals. Canopies sized to match the column they descend from. Nothing is decorative for decoration's sake. The grandeur is in the proportion, not the ornament.
Structural Honesty
From the Arts & Crafts vocabulary: function expressed, never disguised. Joinery shows. Fasteners are visible and intentional. The arm of a sconce is shaped because it must support a bulb — and that shape is the design. Nothing pretends to be what it isn't.
Classic Shades
From mid-century industrial: opal milk glass, fluted glass, woven linen, perforated metal mesh. Each shade has a hundred-year vocabulary behind it. We pair the shade to the fixture's intended room — not the photographer's preference for what reads on social media.
Begin with a brief, or a finish sample.
Whether you need a single bedside sconce or a hundred matched fixtures for a hospitality build-out, the first step is the same — write to us. The project specialist who reads your email is the one you'll work with from brief to install. Every email gets a real reply within 24 hours.
Fast Shipping
4-6 weeks for delivery
North American Certification
North American Certification Overview
Safety Payment
Secure payment with Multiple Credit Cards.
Measuring for Pendant Lighting
When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.
Kitchen
Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.
Dining Room
For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.
Bedroom
If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.
Size chart
| Size |
| area XS |
| Room XS |
| Size | DIA 2"-6" | DIA 6"-12" | DIA 12"-18" | DIA 20"-24" | DIA 24"-32" | DIA 32"-40" |
|---|---|---|---|---|---|---|
| area | 32-54 FT | 54-107 FT | 107-161 FT | 161-215 FT | 215-269 FT | 269-378 FT |
| Room | BATHROOM/AISLE | DINING ROOM | KITCHEN | BEDROOM | LIVING ROOM | COMMERCIAL INTERIOR |
* Sizes are American and expressed in inches.
This little ceiling lamp was exactly what our hallway needed.
Good quality, reliable service, and fast logistics C a very good choice.
The logistics were fast, the packaging was secure, the quality is good, and the price is affordable. I am very satisfied.
Got it for the kitchen and it looks fabulous. Easy to install too!
We used it in a small bedroom with a lower ceiling, and the semi-flush shape works really well.
Obsessed with how this looks in our entryway. The brass dome with the white glass is such a good combo and gives off really soft light.
Love this. Looks way more expensive than it is.
Hangs beautifully in my entryway.
Got this for our bedroom and it's perfect.
Such a stylish piece! It adds a nice charm to the hallway.
I spent a lot of time browsing in physical stores but couldn't find anything suitable. Then I searched online and found this one. After ordering and trying it out, I am very satisfied with the result!
Looks great in the closet. Nice warm glow.
We put this near our kitchen sink area, and it made that corner feel much more finished. I like that the light feels practical for everyday use but still looks stylish.
The design is simple yet sophisticated. Installation is not difficult.
The lighting effect is great; it looks very beautiful after installation, and the light source is very bright.
I have received the product and plan to have a professional install it. I look forward to seeing the final result!
The seller's service is excellent, they respond to questions promptly, and the logistics are very efficient. Highly recommended!
The light fixture is stylish, made with high-quality materials, and easy to install.
The quality is very good, and my family is very satisfied.
The light is soft, and the style is simple and elegant; I really like this style.
The effect is fantastic. After installation, I turned it on to test it. I am very satisfied with the lighting effect.
The light arrived, and the quality is excellent, and the design is also beautiful.
The quality seems very good; even the installation technician said it looks nice.
The size is well-designed; it looks very beautiful hanging from the ceiling and doesn't appear monotonous.
can the marie petite light fit on a sloped ceiling above a kitchen sink
That works. No problem.
The photos make this look bigger than 10". Are those just AI images? Also, how many lumens does this fixture produce? Also, what kind of lamp/bulb does it have?
Thank you for your thoughtful questions — we truly appreciate you taking the time to look closely at the details.
Regarding the photos: the images are professionally edited (Photoshopped) for presentation purposes. They are not AI-generated, but we understand that styling and scene composition can sometimes make the fixture appear larger than its actual 10" size. Thank you for pointing that out — we’ve noted your feedback and will work on adjusting the image proportions to better reflect the true scale as soon as possible.
As for the bulb type, this fixture uses G9 bulbs, and they are fully replaceable. You may choose LED G9 bulbs in your preferred brightness and color temperature.
Because it uses replaceable bulbs, the total lumen output depends on the specific G9 bulb you install. For example:
A typical G9 LED bulb produces approximately 400–600 lumens per bulb
If multiple bulbs are used, the total output would be the combined lumens of each bulb
If you’d like, let us know where you plan to install the fixture, and we’d be happy to recommend the ideal brightness level for your space.
We appreciate your feedback and are always working to improve clarity and transparency in our product listings.
