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Radilum

Rosalie Floral Pink Sconce

SKU: RDT-083317-01
Regular price
$275.00
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$275.00 Save $-275.00 (%)
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Flanking a central, decorative brass 'quiver' base, two glowing, translucent glass rose shades cast a warm and inviting light, creating a poetic and serene atmosphere. Rosalie brings the enduring beauty of botanical art to life in any room she illuminates. 

PRODUCT NOTES

1 head D 25cm x H 42cm / ∅ 9.8" x H 16.5".

2 heads D 43cm x H 42cm / ∅ 16.9" x H 16.5".

Antique Brass, Pink.

SKU: RDT-083317

MATERIALS

Brass lamp body, Glass lampshade, Ceramic flower decoration.

E12 or E14 socket. (Not included bulbs)

  • Unique shape design
  • Made responsibly
  • High quality material
  • Tested for durability

CARE

  • Dust with a soft, dry cloth.
  • To protect finish, we do not recommend the use of household cleaners or abrasives.
  • Do not exceed specified wattage.

SHIPPING & RETURN POLICY

Enjoy free shipping on all products. With Front Door Delivery, your item ships from our Distribution Center via UPS within 2–3 business days and arrives at your home in 4–6 weeks. Eligible items may be returned within 30 days of receipt. Made-to-order items are not eligible for return.

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Radilum · Céramique
Collection · Porcelaine en Fleur · Hand-Sculpted
— for the corner of the world you keep soft —

Meet the romancethat never wilts.

Fresh flowers last a week. These were shaped by hand and fired in flame to bloom above your table for decades — a bouquet of porcelain and aged brass that opens, every evening, the moment you reach for the switch.

Ceramic Rose Vine Chandelier glowing over a dusk-lit dining table

In a hurried world, keep one corner where time is allowed to slow.

1200°Ckiln-fired
True Porcelain, Tempered in Flame
By Handevery petal
Sculpted, Never Molded Alike
Agedbrass
Elegance That Time Deepens
§ 01 · The Artisan Story

A poem written in clay and flame.

Three materials, three temperaments — soft earth, patient fire, and metal that grows lovelier with age. Together they make a flower that time cannot touch.

Hand-sculpted porcelain petal close-up
The Bloom
« la porcelaine »
Hand-Sculpted Porcelain.
Each petal begins as a pinch of soft clay, curled and thinned between an artisan's fingers until its edge turns nearly translucent. No two petals repeat — because no two touches do.
Aged brass stem and leaf detail
The Stem
« le laiton »
Brass, Softened by Time.
The stems and leaves are brass, hand-burnished to an antique patina — the quiet glow of a family heirloom rather than the glare of something new. Elegance that deepens as the years pass.
Faceted crystal drop catching warm lamplight
The Dew
« le cristal »
Crystal, Like Morning Dew.
Faceted crystal drops hang among the blooms like dew that never dries. By day a quiet sparkle; by night they scatter the lamplight into tiny drifting rainbows.
§ 02 · The Making

From soft earth to eternal bloom, in five patient steps.

Most lamps are assembled in minutes. Ours pass through human hands and a wall of fire — this is the whole journey, nothing skipped.

Wedging soft porcelain clay by hand
i
Étape I « la terre »

Waking the clay

Fine porcelain clay is wedged and kneaded by hand until every air bubble is pressed out — the warmth of the maker's palms is, quite literally, worked into the material.
Fingertips sculpting a porcelain petal
ii
Étape II « les pétales »

Sculpting the petals

The heart of it. Petal by petal, an artisan pinches, curls, and feathers the clay — a single blossom can take dozens of individual petals, each one shaped, judged, and set by eye alone.
Porcelain blooms fired in the glowing kiln
iii
Étape III « le feu »

The trial of fire

The blooms enter the kiln and are fired at 1200°C — hot enough to turn soft earth into true porcelain. What survives the fire will not warp, fade, or wilt; it is, in the oldest sense, finished.
Hand-glazing the blush on fired petals
iv
Étape IV « le fard »

The blush

Each fired bloom is glazed and tinted by brush — a wash of cream, a blush at the petal's tip — the delicate gradients that make the flowers look freshly picked rather than manufactured.
Assembling blooms onto aged brass branches
v
Étape V « le bouquet »

Gathering the bouquet

Blooms, leaves, and crystal drops are arranged onto the aged-brass branches one by one — composed like a florist's arrangement, then wired, tested, and checked before the journey to you.
— et enfin, la couleur —

One bloom, three blushes.

Every design in the collection is hand-tinted in one of three glazes — the brush decides the mood, you decide the room.

Porcelain white glaze sample
« Blanc »
Porcelain White
The classic — pure, quietly luminous, at home in any palette.
Blush pink glaze sample
« Rose »
Blush Pink
The signature — a soft rose blush that turns golden at dusk.
Rose red glaze sample
« Rouge »
Rose Red
The statement — a deep romantic red, for rooms with a heartbeat.

Choose your colour on each product page — the shape stays, the blush is yours.

— et la tige, en laiton —

The seventeen you can actually order.

The bloom is glazed by brush; the branch beneath it is finished the same careful way — seventeen numbered metal finishes, from bright brass to blackened iron, so the stem matches the room the flowers will live in.

Finishes 01–17 · brass, bronze, iron, steel, nickel, chrome, black · the collection's signature « Laiton Vieilli » (03, Antiqued Brass) shown throughout this page

Specifying a Finish

Order by number, not by name. "Antique brass," "aged brass," "burnished brass" — ask five workshops what those mean and five different metals come back. Finish 03 is the same physical sample on the atelier bench and on your packing list.

And because no screen renders metal honestly, we ship the physical swatch before anything is committed. Hold it beside the porcelain glaze you've chosen, at the hour you actually use the room — then send the number.

Choose your stem finish on each product page — the bloom stays yours, the metal is now, too.

§ 03 · By Day
lights off —

A sculpture that happens to be a lamp.

Switched off, it earns its place on looks alone — a still-life relief of porcelain blooms and brass leaves that sits as calmly against floral wallpaper as against plain plaster. Guests will assume it's art first, and they won't be wrong.

Rosalie floral chandelier unlit in soft daylight

Daytime: a quiet porcelain still-life

Meet « Rosalie » — the chandelier in these photos →
§ 03 · By Night
lights on —

The room becomes an enchanted garden.

Then evening comes. Light pours through the frosted petals and catches every crystal drop, and the whole bouquet begins to glow from within — walls washed in warm bloom-shadows, the room suddenly somewhere out of a storybook.

Rosalie floral chandelier glowing at night

Nighttime: the fairy-tale forest, on demand

Meet « Rosalie » — the chandelier in these photos →
§ 04 · The Collection

One evening, three rooms in bloom.

Follow the light through the house — dinner beneath the chandelier, roses down the hallway, and a last bloom glowing at your pillow. Open each window and step inside.

§ 05 · The Promise

A gift worth handing down.

Porcelain deserves to be treated like porcelain — from our workbench to your doorstep, here is how we keep that promise.

i
Inspected out of the kiln
Every bloom is examined against the light after firing — petals, glaze, and fit — before it is allowed onto a branch.
ii
Wrapped petal by petal
Custom-molded foam, blooms individually cushioned, double-boxed — packed the way museums move ceramics.
iii
Cared for after arrival
If anything arrives less than perfect, photograph it and write to us — our support team will make it right.
An Honest Note
« une lettre de l'atelier »

No two of our petals curl quite the same way — each was shaped by fingertips, not a mold. The blush of the glaze shifts a little from bloom to bloom, because the brush loads a little differently every time.

None of these is a flaw. They are the signature of the hands that made yours — the one thing a factory line can never copy.

the atelier
Rosalie floral pendant — porcelain blooms and crystal drops
« cueillez votre jardin de lumière »

Some flowers are given.
This one is kept.

A porcelain bouquet says what cut flowers say — and then keeps saying it, year after year.

  • Fast Shipping

    Fast Shipping

    4-6 weeks for delivery

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    North American Certification

    North American Certification Overview

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    Safety Payment

    Secure payment with Multiple Credit Cards.

Measuring for Pendant Lighting

When installing pendants and chandeliers, it’s important to consider how you want your fixtures to hang in relation to the other furnishings in your space. Read on for our recommendations on how to hang the perfect light.

Kitchen

Aim for 30–36″ from the bottom of your fixture’s shade to the top of your island or countertop. Space multiple pendants 26–30″ apart. For a sense of proportion and balance, allow 12″ from the outermost fixture to the edge of your counter.

Dining Room

For optimal lighting and visibility, the bottom of your pendant should sit 30″ from the surface of your dining table. To scale your fixture, take the length and width of the room in feet, then convert that to inches. For a 10′ by 14′ room, the chandelier should be about 24″ wide.

Bedroom

If you’re hanging a pendant above a nightstand, allow for at least 30″ between the bottom of the shade and your nightstand’s surface. To keep the look balanced, center your pendant over your nightstand.